Religioni

Edition revue et corrigee. Traduit en francais sous la direction de L'Ecole Biblique de Jerusalem. Pocket 1998, cm.11,5x18, pp.2117, brossura copertina figurata a colori.

London, Francis & John Rivington 1844, cm.14,5x22,5, pp.VIII,354, legatura editoriale cartonata. Second edition.

New York, Oxford University Press 1964, cm.16x24, pp.XVI,400, legatura editoriale in tutta tela.

London, Duckworth 1973, cm.14x22,5, pp.IX,160, legtaura editoriale cartonata, sopracoperta figurata.

Oxford, Basil Blackwell 1967, cm.14x22, pp.VII,217, legtaura editoriale cartonata.

New edition. London,. Longmans, Green and Co 1890, cm.13x19, pp.XV,392, legatura editoriale in tutta te.a

Translated by M.R. Adamson. London, Geoffrey Bles: The Centenary Press 1941, cm.14,5x22, pp.XVII,304, legatura editoriale in tutta tela.

Eugen Diederichs Eugen Verlag 1984, cm.15x21, pp.320, ill. legatura editoriale cartonata, sopracoperta figurata a colori.

Editio princeps a cura di Maria Teresa Casella Bise. Firenze, Sismel Edizioni del Galluzzo 2021, cm.16x24, pp.VIII,140; 4 tavole. brossura copertina figurata a colori con bandelle. Coll.La Mistica cristiana tra Oriente e Occidente, 07. Sentimento religioso e identità italiana, 35. Il quarto libro delle Rivelazioni registra le esperienze interiori che Giovanna Maria della Croce sperimentò tra il 18 febbraio del 1643 e il 16 ottobre del 1644. In prosa e in versi, Giovanna narra ora di interlocuzioni celesti nelle quali riceve da Cristo stesso, da Maria e da alcuni santi, disposizioni circa compiti storici da eseguire e testi da scrivere. Per stile e per contenuto queste rivelazioni sono molto diverse rispetto a quelle che Giovanna sperimenterà negli anni successivi e ci svelano un altro aspetto del suo profilo spirituale. Il lettore accede ad esse anche agevolato da un elaborato indice tematico. L’edizione è stata realizzata da Maria Teresa Casella Bise pochi mesi prima della sua morte (avvenuta il 2 febbraio del 2021) e rappresenta l’ultimo frutto di una lunga esperienza di studio dedicata all’editio princeps dell’opera completa di Giovanna Maria della Croce.

1998, cm.13,5x21,5, pp.V,186, brossura copertina figurata a colori.

A Reply to the Encyclical of Pius X., Pascendi Dominici Gregis; With the Text of the Encyclica. With an introduction by A.Leslie Lilley. T. Fisher Unwin 1908, cm.12,5x18,5, pp.XXIV,290, legatura editoriale cartonata.

London, Rupert Hart Davis 1970, cm.14x22, pp.312, legtaura editoriale caetonata.

Brighton, Sussex Academic Press 2000, cm.15,5x23,5, pp.XI,174, ill.bn. legatura editoriale cartonata, sopracoperta figurata a colori. This book puts the reader face to face with the Christians of Eqypt by offering a comprehensive presentation of the life and thought of the Coptic Orthodox Church at the turn of the millennium. The book explores the important themes of the Copts from the earliest moments of Christian history to the present day, achieving and impressive balance between a critical re-examination of Coptic history and original research. The work contains several small biographies and numerous vignettes to illustrate the Coptic experience as it is lived. These are presented in sections on history liturgy, art, theology, monasticism, politics, mission and mrtyrdom. Controversial issues are sympathetically treated by a writer who has a deep understanding and appreciation of Coptic and Islamic culture in modern Egypt.

With an introduction by Douglas Woodruff. Hollis and Carter 1952, cm.14,5x22, pp.VI,518, legatura editoriale in tutta tela, sopracoperta.

Washington, The Catholic University of America Press 1994, cm.15x23, pp.XIII,394, brossura. Here for the first time, the compelling story of the Catholic Modernists is presented as a chronological narrative of events, with special emphasis placed upon the persons involved, their interrelations and opinions. Through a study of the participants, Marvin O'Connell traces the emergence of Modernism and the controversies related to it, offers a careful examination of the movement's multiple causes and ramifications, and places the events within the political, social, and intellectual context of the time. Rather than analyze the phenomenon called Catholic Modernism or argue one side or the other, the author tells the story of the Modernists themselves. These intellectuals - scripture scholars, philosophers, apologists, priests, and laypersons - were bound together by a mutual concern that the Church could not survive the challenges of the modern world unless it brought its teaching and its constitution into line with contemporary thought. They offered unconventional solutions to the religious questions of the day, solutions they were convinced would reform and revivify their church.

Calmann Levy 2003, cm.15x23, pp.564, brossura copertina figurata a colori. Collana Diaspora. Dirigée par Roger Errera. La Shoah a laissé l'Église catholique et les chrétiens sans voix. De ce silence naîtront les interrogations de la conscience chrétienne et, à travers un long cheminement, à partir de Vatican II, un nouveau regard sur le peuple juif. Pourquoi ce changement historique ? Comment se traduit-il ? Que signifie-t-il ? Pour le comprendre, Jean Dujardin examine sans complaisance quelques moments-clés des relations entre Juifs et chrétiens : la séparation initiale, qui ne fut ni immédiate ni perçue comme telle ; le lien entre les siècles d'antijudaïsme chrétien et l'antisémitisme moderne ; l'attitude de Pie XII pendant la guerre, qui, au-delà de celle du Pape, renvoie à celle de l'Église tout entière ; le retour du peuple juif sur la terre d'Israël ; et plus près de nous l'affaire du carmel d'Auschwitz, affrontement de deux mémoires. L'enseignement de l'Église envers les Juifs et le judaïsme a changé au fur et à mesure. L'auteur analyse les étapes de la rupture avec le passé et interroge les textes : déclaration conciliaire de 1965, document épiscopal français de 1973, textes romains de 1975, 1985 et 1998, accord de 1993 entre le Saint-Siège et Israël, déclaration de repentante de Drancy en 1997, enfin, en 2000, le geste historique de Jean-Paul II devant le Mur des Lamentations, à Jérusalem. L'existence juive interroge la conscience chrétienne. Acteur, témoin et historien de ce dialogue nécessaire et difficile, le père Dujardin en marque les acquis et les limites, en donnant la parole à tous ceux qui en sont les artisans et les auteurs.

Tipografia Poliglotta Vaticana 1936, cm.20,5x30, pp.82, brossura.

A cura di Claudio Nardini. Firenze, Nardini Ed. 1991, cm.13x20,5, pp.165, brossura copertina figurata a colori. Coll.Biblioteca Mistica,3. Testi.

Newly translated from the latin vulgate by Mr. Ronald A. Knox at the request of the Cardinal Archbishop of Westminster. For private use only. London, Burns Oates and Washbourne 1948-1949, 3 volumes. cm.14x22, pp.XII,1604,XI,739, hardcover red clothbound.

Vol.I: Genesis to Deuteronomy. Vol.II:Joshua to Esther. Vol.III: Job to Malachi. Vol.IV:Apocrypha. Vol.V:The New Testament. Edited by William Aldis Wright. Cambridge, At the University Press 1909, In five volumes. cm.14x22, pp.495, 616, 775, 424, 574, hardcover red clothbound. Cambridge English Classics.

Il volume è rilegato insieme ad altre due pubblicazioni: --Kyriale seu ordinarium missae missa pro defunctis et toni communes missae. Typis Societatis S.Joannis Evangelistae Desclee, Paris, 1932. pp.150. --Varii cantus ad processionem et benedictionem SS. Sacramenti ex libris vaticanis et solesmensibus. Typis Societatis S.Joannis Evangelistae Desclee, Paris, 1929. pp.100. cm.13x18,

University of California Press 2000, cm.14,5x22, pp.212, ill. legatura editoriale cartonata, sopracoperta figurata. Readers familiar with Greeley's previous nonfiction works will find this extended essay a variation on a familiar theme. Greeley--a Catholic priest, sociologist and novelist who teaches at the University of Chicago and the University of Arizona--posits that Catholicism creates an imaginative worldview that finds grace ""lurking everywhere,"" from the city streets to the landscape to the bedroom. It is a worldview that pervades Greeley's many novels. Here, Greeley draws on art, literature, music and films produced by Catholics, ranging from the Baroque sculptures of Bernini to the contemporary fiction of James T. Farrell. He also draws on his own research to illustrate what he calls an ""enchanted imagination,"" a sensibility Greeley attributes to Catholicism's emphasis on God's immanence, as opposed to Protestantism's focus on God's transcendence. This book's principles reiterate Greeley's previous books and articles on Catholic myth and imagination, including several that seem less hurriedly composed. Protestants may be put off by some of his comparisons (for example, ""Catholics are more interested in the fine arts than Protestants"" and ""Catholics tend to picture society as supportive and not oppressive, while Protestants tend to picture society as oppressive and not supportive""). Imperfections aside, Greeley devotees may enjoy following him over this terrain again, possibly collecting references to artistic works for follow-up. (Mar.)

A cura di Adriana Romaldo. Siena, Cantagalli Ed. 2013, cm.14x21, pp.276, brossura copertina figurata a colori.

Seuil 1991-1992, 2 voll. cm.15,5x24, pp.510, 570, brochures. 9782020122139 ; 9782020122146