Letteratura Storia delle Letterature

Cambridge, Cambridge Philological Society 1979, cm.15x21,5, pp.75,(1), soft cover. Supplementary Volume, 5. A collection of notes to amend and explain the 170 poems within Alexander Riese's `Anthologia Latina' (1894).

Paris, Librairie Honoré Champion 1968, un vol. di 3 cm.16,5x25, pp.XX,396, br.; intonso.

Avec une préface de jacques Perret. Paris, Etudes Augustiniennes 1981, cm.16,2x24,8, pp.304, br., copertina e sopraccoperta fig. a un colore.

Leiden, E. J. Brill 1985, cm.16x24,5, pp.200, with 3 plates, hardcover. Series Mittellateinische Studien Und Texte.

London, Hutchinson University Library 1968, cm.14x21,5, pp.266, hardcover. First Edition. This highly acclaimed introduction to the medieval lyric during the period 850-1300 is now reissued in a third edition, which includes a new preface and substantial new bibliographical indications. After an introductory discussion of the performers and performance of lyrics in the middle ages, each chapter analyses one of the major lyrical genres and centres on close critical discussion of outstanding lyrics, with generous quotation of texts and translations. While the rise of religious lyric and the transformations of love-lyric receive the fullest treatment, there are also chapters on women's songs, on the alba, on dance-songs, and on `lyrics of realism'.

Cambridge, MA, Harvard University Press 1994, cm.16x24, pp.X,148, hardcover. Series Carl Newell Jackson Lectures. Peter Dronke illuminates a unique literary tradition: the narrative that mixes prose with verse. Highlighting a wide range of texts, he defines and explores the creative ways in which mixed forms were used in Europe from antiquity through the thirteenth century. Verse with Prose distinguishes for the first time some of the most significant uses of mixed forms. Dronke looks at the way prose and verse elements function in satirical works, beginning in the third century B.C. with Menippus. He examines allegorical techniques in the mixed form, giving especially rewarding attention to Boethius' Consolation of Philosophy. His lucid analysis encompasses a feast of medieval sagas and romances, ranging from Iceland to Italy, including vernacular works by Marguerite Porete in France and Mechthild in Germany. A number of the medieval Latin texts presented have remained virtually unknown, but emerge here as narratives with unusual and at times brilliant literary qualities. To enable not only specialists but all who love literature to respond to the works discussed, they are quoted in fresh translations, as well as in the originals.

London, Penguin Books 1995, cm.15x23,5, pp.246, br.cop.fig.a col.

Oxford, Oxford at the Clarendon Press 1986, cm.14x21,5, pp.416, Paperback. This seminal book examines the interaction of literary practice and theory in 16th-century France in the context of the great Renaissance writers, Erasmus, Rabelais, Ronsard, and Montaigne.

Cambridge, Massachusetts, Harvard University Press 1991, cm.14x21, pp.312, Paperback. Literary history, the dominant form of literary scholarship throughout the nineteenth century, is currently recapturing the imaginations of a new generation of scholars eager to focus on the context of literature after a half-century or more of ?close? readings of isolated texts. This book represents current thinking on some of the theoretical issues and dilemmas in the conception and writing of literary history, expressed by a group of scholars from North America, Europe, and Australia. They consider afresh a broad range of topics: the role of literary history in ?new? societies, the problem of finding a starting point for literary history, the problem of literary classification, problems of ideology, of institutional mediation, periodization, and the attack on literary history.

London, Duckworth 1947. cm.14,5x22,5, pp.204, Hardcover.

Baltimore, The Johns Hopkins University Press 1991, cm.14,5x22,5, pp.208, Hardcover.

A cura di Viviana Carpifave. Firenze, Edizioni Clichy 2019, cm.11x17,5, pp.230, brossura copertina figurata. Coll.Père Lachaise. Un romanzo-saggio inedito in Italia e assai anomalo nella produzione dumasianA dedicato alla psicologia dell'artista alle prese con il proprio genio: il tormento di Michelangelo, il pragmatismo di Tiziano, l'edonismo di Raffaello. Nel 1840, per sfuggire ai creditori e alle tentazioni di Parigi, Alexandre Dumas si trasferisce in Italia. Di lì a poco riceve una generosa offerta per redigere un testo sulla Galleria degli Uffizi: note biografiche e critiche sui creatori e i tesori esposti nel museo. Ne emergono le qualità di Dumas come critico d'arte e la sua abilità di narrare fatti documentati: l'autore non si limita a descrivere le opere o a raccontare gli episodi salienti della vita dei tre artisti, ma ricostruisce la genesi delle loro creazioni, l'ambiente storico e culturale in cui si e sviluppato il processo artistico, e delinea il carattere dei personaggi che hanno interagito con la realizzazione di capolavori inimitabili.

Darmstadt, Wissenschaftliche Buchgesellschaft 1973, cm.13,5x21,5, pp.XV,(1),325,(3), br.

Milano, Electa per Panorama 2005, cm.19x26, pp.216, br. con bandelle. Coll.Grandi Arti Contemporanee,10.

Torino, Einaudi 1967, cm.14x21, pp.250, br. Coll.PBE,163.

Firenze, Sansoni Ed. 1944, cm.14x22, pp.892, 91 figg.bn.in tavv. br.cop.fig. Coll.La Civiltà Europea.

Firenze, Sansoni 1979, cm.14x22, pp.1024, br.

Torino, UTET 1974, 3 voll. di 3, cm.20x27, pp.XIX,(1),1042,(2); XV,(1),973,(1); XVI,1187,(1), 80 tavv. a colori ft., legg. edd. uniformi in tutta tela verdemare, titoli e fregi in oro ai dorsi.

Torino, Einaudi Ed. 1987, Vol.III,parte II,in tre tomi, cm.11,5x19,5, da pagina 422 a pagina850, br. Coll.P.B.E.Filologia.Linguistica.Critica Letteraria.

Torino, UTET 1977, cm.18,5x25, pp.XI,792, leg.ed.cartonata copertina figurata a col.