La stampa a Viterbo. «1488»-1800.

Firenze, Olschki Ed. 1988, cm.18x25,5, pp.152, 32 tavv.ft. brossura Coll.Biblioteca di Bibliografia Italiana,113.

Firenze, Olschki Ed. 1978, cm.18x25,5, pp.92 con 21 ill. ft., brossura Coll. Biblioteca di bibliografia italiana, 82.

Firenze, Olschki Ed. 2011, cm 17 x 24, xxiv-292 pp. con 26 figg. n.t. e 8 tavv. f.t. a colori. Biblioteca di bibliografia italiana, 190. Dopo anni di lavoro e attente ricerche esce il prezioso catalogo in cui sono descritti i volumi dei fondi appartenenti alle raccolte: Essling, grande collezionista ed esperto di libri illustrati veneziani; De Marinis, «il principe dei bibliofili», e consulente di Vittorio Cini; Cini, mecenate e grande collezionista. Il catalogo descrive oltre mille fra incunaboli e cinquecentine e si propone quale strumento fondamentale per il bibliografo e per lo studioso di libri antichi. / This valuable catalogue, published after years of work and thorough research, describes the volumes of the funds belonging to the collections: Essling, a great collector and expert in Venetian illustrated books; De Marinis, «the prince of bibliophiles» and Vittorio Cini’s consultant; Cini, a patron of the arts and great collector. The catalogue, describing over one thousand incunabula and sixteenth-century books, is a fundamental tool for bibliographers and scholars of ancient books.

London, The British Library 1995, cm.15x23, pp.286, legatura editoriale, sopraccoperta. Collana The British Library Studies in the History of the Book. Testo in inglese. In this study a leading expert on the history of the early Italian book examines a perplexing and intractable problem that faces historical bibliographers - the identification of anonymous printing. Venice quickly became one of the major publishing centres of Renaissance Europe, serviced by innumerable printers. While the products of many of the presses are easily identified today, many of the surviving books offer little or no evidence as to their origins. Their title-pages may simply state "Venetiis" or "in Venetia"; the name of the publisher or bookseller may be given, but not the printer; or no information may be given at all. In such instances the bibliographer must make an identification by comparing the anonymously printed volume with known examples of a printer's work. This often proves difficult, since in Venice there was a great deal of interloaning of initials, devices and other materials between printers, who seem often to have been friends rather than rivals. Occasionally it is nearly impossible to be certain to whom a particular device really belonged. Despite these and other problems, Dennis Rhodes has succeeded in establishing the identity of the anonymous printers of over 250 different volumes in the British Library's collections. Each volume is fully described, and 150 black and white photographs of type ornaments and other identifying features are included.

Introduzione e note di Luigi Salvatorelli. Traduzione di Marco Cesarini. Milano, Rizzoli 1941, cm.12x18,5, pp.331, brossura sopracoperta figurata. Coll.Il Sofà delle Muse. Collana Dietta da Leo Longanesi.

Roma Savelli 1975, 2 volumi. cm.16x22, pp. 256,276, brossura cop.fig.a colori. Coll. Cultura politica 151-152.

Traduzione di giancarlo Coccioli. Torino, Einaudi 1991, cm.12x18, pp.XII,188, Brossura copertina figurata a colori. Coll.Piccola biblioteca Einuadi-Arte,554.