Il canzoniere e trionfi. In questa edizione curata da Ennio Sandal, le cinquantuno pagine di testo mancanti all'esemplare queriniano sono state restituite mutuandole dalla copia della Biblioteca Trivulziana di Milano (Inc. Petr.1 ).

Edizione critica per cura di Guido Martellotti. Firenze, Sansoni 1964, cm.17x24,5, pp.CLVI,360, una tavola in antiporta. brossura. Ediz.Naz.delle Opere di F.P. Intonso.

A cura di Roberto Gigliucci. Roma, Salerno Ed. 1992, cm.12x16,5, pp.88, brossura cop.fig. Coll.Minima,57.

Torino, Einaudi Ed. 1958, cm.14x22, pp.1063, legatura editoriale in tutta tela, titoli e fregi in oro al dorso, cofanetto fig.a colori. Coll.I Millenni. Il Parnaso Italiano.

A cura di Gino Belloni, Furio Brugnolo, H.Wayne Storey e Stefano Zamponi. Padova, Edit.Antenore 2005, cm.21x31, pp.404, 18 figg.bn.in tavv.ft. legatura editoriale in tutta tela, titoli in oro al piatto ant.e dorso. Coll.Itinera Erudita,5.

Roma, Viella Ed. 2000, cm.17x24, pp.188, brossura Coll.Ius Nostrum. Studi e Testi.

Prefaz.di Oreste del Buono. Roma, Ed.Il Formichiere 1957, cm.14x22, pp.358, num.figg.bn.nt. legatura ed. sopraccop.fig. Coll.Saggi.

Cambridge University Press. Presentaz.di Furio Diaz. Milano, Garzanti Ed. 1971, cm.17,5x24,5, pp.XX,1145, 166 ill.bn.e 28 tavv.a col. legatura ed.in tutta tela, sopraccop.fig. Coll.Storia del Mondo Moderno.

New York, G.P.Putnam's Sons 1956, cm.22x28, pp.126, and 90 full-page art photos hardcover, dustjacket. First edition. Excerpt from the Foreword by Normal Hall: Andre de Dienes is one of the great photographers of these times. He is at once a mixture of restlessness and curiosity; he is a person of great sensitivity, a perfectionist who can never quite be satisfied. He has the drive and dedication of an artist and the technique of a master photographer. His success in nude photography - and, I honestly believe, he is the finest exponent of this difficult field in the world - depends on a combination of varied attributes and skill. Certainly, the nude is no subject for the dilettante; but de Dienes is a specialist of many years' experience. Elsewhere he tells something of the trouble he takes in the selection of models and location, the choice and arrangement of "props", the long wait - or rush, as the case may be - to catch the light just as he requires it for his purpose, the mental strain which accompanies the physical effort of a prolonged session. Unintentionally, too, he pays a considerable tribute to the Rolleiflex when he revels that all the pictures in this most notable selection were made by that versatile little camera.