E.R.Nele.

Introduzione di Ulderico Bernardi. Milano, Silvana Ed. 1988, cm.25x31, pp.219, numerose illustrazioni e tavole bn.e a colori nel testo, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. [volume nuovo]

Firenze, Sansoni/Sadea 1968, cm.12x18, pp.40, num.tavv.a col.ft. brossura cop.fig.a col. Coll.I Diamanti dell'Arte,24.

Chicago, Nelson Hall 1978, cm.15x23, pp.222, brossura copertina figurata a colori. A non-technical introduction to contemporary American art examines characteristic works, trends and techniques, and the ways of viewing and experiencing a work of art

Prato, Aurora Boreale 2023, cm.15x21,5, pp.60, illustrazioni. brossura copertina figurata a colori. Supreme among the wonders of antiquity, unrivaled by the achievements of later architects and builders, the Great Pyramid of Gizeh bears mute witness to an unknown civilization which, having completed its predestined span, passed into oblivion. Eloquent in its silence, inspiring in its majesty, divine in its simplicity, the Great Pyramid is indeed a sermon in stone. Its magnitude overwhelms the puny sensibilities of man. Among the shifting sands of time it stands as a fitting emblem of eternity itself. Who were the illumined mathematicians who planned its parts and dimensions, the master craftsmen who supervised its construction, the skilled artisans who trued its blocks of stone? The essay by Manly Palmer Hall that our publishing house is now proposing to modern readers,The Initiation of the Pyramid, was one of the most interesting chapters of his monumental workThe Secret Teachings of All Ages, published in San Francisco in 1928.