Documenta Mycenea.

Milano, Electa 1987, cm.26x29, pp.320, 382 figg.in bn.e tavv.in bn.e a col., legatura ed.in tutta tela,sovraccop.fig.a col., cofanetto con piatti figg.a col.

Milano, Libri Scheiwiller per Credito Italiano 1992, cm.22x28, pp.658, 309 ill.e tavv.a col., alcune delle quali ripieg.nel testo , legatura editoriale in tutta tela, sovraccoperta figurata a colori. Coll.di Studi sull'Italia Antica "Antica Madre".

Roma, Ist.della Enciclopedia Italiana Treccani 1993, cm.16x24, pp.45, + video cassetta della RAI Educational Multimedia, legatura ed.in contenitore a libro in tutta tela, Coll.Enciclopedia Multimediale delle scienze Filosofiche. Le Radici del Pensiero Filosofico,1.

In occasione del 150° anniversario dell'Unità d'Italia. Ida Baldassarre, Teresa Lanzillotta, Salvatorino Salomi, (redazione). Roma, Istituto della Enciclopedia Italiana- Treccani 2003, cm.26,5x34, pp.XXIX,1053, 1200 illustrazioni a col.nt.e 28 tavv.a col.ft.su carta della Cartiera Magnani di Pescia. legatura ed.in t.pelle,dorso con nervi,fregi e titoli in oro anche al piatto ant., cofanetto in seta con rinforzi in pelle. Coll.I Luoghi dell'arte.

Trad.di M.Schejola Adami. Consul.storica di F.Ceruti. Milano, Rusconi Ed. 1980, cm.14x22, pp.285, alcune tavv.a col.e bn.ft. legatura ed. Coll.La Storia.

Introduzione di Francesco Indovina. Roma, Garzanti. 1976, cm.11x18, pp.102, brossura. Coll.Argomenti.

Featuring Joan Southerland, Eva Marton The Artists of Opera Australia Opus Arte - Faveo 2006, 1 DVD, Playing Time: 90 min. DVD, Lingue: Italiano, Francese, Inglese. Sottotitoli: Inglese.

Selected by Edmund V. Gillon Jr. New York, Dover Publications 1969, cm.20x28, pp.90, numerose illustrazioni bn. nel testo, brossura con copertina figurata a colori. In its early years, The Studio (published monthly in London from April 1893 until well into the twentieth century) was one of the major media for the development of Art Nouveau styles. It was probably more responsible than any other publication for the acceptance of Art Nouveau by the public, and as it progressed it remained the most outstanding vehicle of Art Nouveau illustration. It also had a tremendous influence on American artists and illustrators of the period. In addition to art competitions, featured articles on contemporary artists and on topics like photography, and portfolios of the work of new and unknown artists, it presented over a period of years a superb and comprehensive survey of Art Nouveau illustration by virtually every British and Continental artist of the period. The selection in this volume includes both the best and the most typical in Art Nouveau. The 199 illustrations are mostly graphic arts material: book covers, posters and advertisements, title pages and end pages, bookplates, menus, Christmas cards, decorative alphabets, engraved and decorated poems, and a variety of designs and patterns. The artists include Walter Crane, Aubrey Beardsley, Will Bradley, A. A. Turbayne, Enid Jackson, R. Anning Bell, R. M. Bradley, Jessie King, Mabel Syrett, J. D. Batten, and many others. Although the book is intended primarily to be a file for commercial artists and designers, it serves the less specialized reader admirably as a survey of the various graphic styles of Art Nouveau