Notre Dame de Paris.

A cura di Gabriele Baldini. Milano, Il Saggiatore 1965, 2 voll. cm.15,5x21, pp.LXXVIII,744 complessive, brossura Coll.La Cultura,94.

A cura di Aldo Alessandro Mola. Torino, Meb Ed. 1973, cm.17x24, pp.333, alcune ill.bn.nt. brossura sopracop.fig. Coll.Il Feuilleton,2.

Paris, J.Hetzel & Cie - Maison Quantin s.d. (1880), cm.11,7x18,5, pp.260, rilegatura coeva in mz.pelle con angoli ai piatti, dorso muto a 5 nervi, piatti rivestiti di carta decorata a mano. (interni lievemente e uniformemente ingialliti.) Collection Oeuvres Complètes de Victor Hugo.

Traduz.di Elsa Fubini. Roma, Editori Internaz.Riuniti 2013, cm.13,5x19,5, pp.281, brossura cop.ill.a col. Coll.I Classici.

Oxford University Press 2002, cm.14x21,5, pp.XIII,310, brossura con copertina figurata a colori. Collana Short Oxford History of Italy. This volume centres on one of the most dramatic periods of Italian History: 1900-1945. It examines the crisis of the liberal state as it undergoes a process of significant transformation, which starts with a process of modernisation and leads to the totalitarian fascist state. Lyttelton and his international team discuss the social and moral conflicts resulting from modernisation, the two world wars and the fascist regime, considering the issues from both national and international standpoints. The discussion includes the developments and impact of the changes on religion, literature, and the visual arts.