I teatri del Veneto. Vol.IV: Treviso e la Marca trivigiana.

Firenze, Olschki Ed. 2008, 2 voll. cm.17x24, pp.XX,792 complessive, alcune partiture musicali nt. brossura sopracopp.figg.a col. Collana Fondazione Giorgio Cini. Studi di Musica Veneta. Quaderni Vivaldiani,13. Antonio Vivaldi, compositore e impresario d’opera, rappresenta una nuova figura in ambito musicologico. Questo volume descrive, per la prima volta, tutte le 45 opere di Vivaldi oggi conosciute, mettendone a fuoco le fonti, i contenuti drammatici, le strategie compositive, gli allestimenti scenici, gli artisti e il pubblico. Questo studio presenta un importante capitolo della storia del teatro veneziano ed europeo, centrato su una sensazionale personalità a livello musicale e intellettuale

A cura di graziella De Florentiis e Gian Nicola Vessia. NED Cassa di Risparmio delle Provincie Lombarde 1986, cm.25,5x35, pp.292 ill.a colori. legatura editoriale, sopraccoperta figurata a colori.

Cambridge at the University Press 1970, cm.14,5x22, pp.VIII,212, 1 map hardcover, clothbound, dust jacket. Coll:Anglica germanica Series,2. Ferdinand Raimund (1790–1836) was a noted comic actor in the tradition of the Viennese Popular Theatre. He wrote plays to suit the talents of his ensemble at the Leopoldstadt comedy theatre and to entertain the Viennese community, but a powerful ambition to rise above the merely local drove him to develop the conventional dramatic forms beyond their traditional limits. Dorothy Prohaska examines his plays, and discusses their local characteristics as well as their individuality. She is closely informed about the Vienna of the time, and many sections of the book, showing in detail how the plays draw on contemporary life, are full of colourful detail about the city itself. She reveals the complexity of Raimund's development as a playwright within the popular tradition and assesses his achievement as an original dramatist.