La Bohème. Vocal Score.

Melodramma in tre atti. Testo di L.Illica, G.Giacosa, dal dramma di V.Sardou. A cura di Silvia Camerini. Ancona, Transeuropa Ed. 2000, cm.17x29, pp.110, num.ill.e tavv.bn.e col.nt. brossura Ediz.speciale per il centenario di Tosca, 14/1/1900-14/1/2000.

Trama, note biografiche, discografia, bibliografia. Libretto di G.Adami, R.Simoni. Testi di Renato Bossa, Sandro Cappelletto. Ancona, Transeuropa Ed. 1999, cm.12x16,5, pp.43, num.figg.bn.nt. brossura cop.fig.a col. Coll.Teatro dell'Opera.

Di Victorien Sardou, Giuseppe Giacosa e Luigi Illica. Musica di Giacomo Puccini. Edizione e commento a cura di Gabriella Biagi Ravenni. Firenze, Olschki Ed. 2009, 2 voll. cm.23x33, Coll.Centro Studi Giacomo Puccini. Testi e Documenti,2. Il testo completo del libretto di Tosca, con aggiunte, correzioni, chiose, frammenti di bozze di stampa, schizzi musicali e di piantazioni sceniche. Attraverso gli interventi di Illica, Giacosa, Ricordi, ma soprattutto di Puccini, è possibile ricostruire, con la massima approssimazione, l’appassionante dialogo che intercorse tra gli autori e l’editore. È possibile insomma entrare nel vivo del laboratorio creativo e individuare le fasi cruciali della genesi di Tosca.

Contiene arie tratte da "Le Villi, Edgar, Manon Lescaut, La Boheme, Tosca, Madama Butterfly, LA Fanciulla del West. Cantanti:Mario del Monaco, Beniamino Gigli, Renata Tebaldi, Enrico Caruso, Jussi Bjorling e altri. Firenze, Fenice H.O. 2007, T.T.56,40 audio CD. Historical Rare Recordings.

Col seguito di Giacotto Malispini dalla edificazione di Firenze sino all'anno 1286. Ridotta a miglior lezione e con annotazioni illustrata da Vincenzo Follini Bibliotecario della pubblica Libreria Magliabechiana e accademico residente della Crusca. (Importante testo di storia fiorentina stampato in soli 527 esemplari (v. notizie sull'ultima carta)). Con emblema della Crusca inc. in rame al frontespizio. Firenze, Presso Gaspero Ricci nella Stamperia di Niccolò Carli, X agosto 1816, in 4° grande, cm.21,5x29,5, pp.XLVIII,458,(5), legatura in mezza pelle, titoli in oro e 4 nervi al dorso.

by Jane England (Photographer). Black Dog Pub 2017, cm.22x28,5, pp.160, b.w ill. hardback. legatura editoriale in mz.tela, copertina figurata. Bringing together photographs taken during the mid 1970s through to the early 1980s, Turn and Face the Strange covers the eclectic range of subjects that passed in front of Jane England’s camera. Initially inspired by photographers such as Diane Arbus and Guy Bourdin, England photographed friends and associates at a time when marginalised groups and sub-cultures merged and came together with a shared sense of nihilism and decadence. Her images range from carefully choreographed portraits to street photographs, encompassing the early years of London’s Punk era and the birth of New Romanticism. Her depictions of non-conformist urban tribes provide an intimate portrayal of sophistication and squalor, the demi-monde who existed between the street and the more exotic echelons of the art and fashion scenes. By not aligning herself with any of the number of sub-cultures that emerged across London and beyond in the late twentieth century, England was able to photograph club kids and Teddy boys, transvestites, artists and aspirant models. While a number of England’s subjects such as Vivienne Westwood and Gilbert & George have become icons of the period, many of the others are forgotten, having retreated to the suburbs or died tragically young.

Parma, Guanda 1967, cm.14x22, pp.214,(2), brossura, sopraccoperta fig. a colori. Coll. Fenice degli Italiani, 1. Prima edizione.

Edizioni BDV 2021, cm.17x24, pp.94 ill a colori. brossura copertina figurata a colori. A Florentine invention that spread to other cities of the Grand Duchy of Tuscany, wine windows performed their role for five centuries. The buchetta, as called in Florence, represents an absolutely unique quirk in local society and after years of study and research it has earned its place in this book published by the Association Buchette del Vino, containing the most recent data and theories. Born to allow noble Florentine families to sell their wine from their urban palazzo, the windows developed with varying fortunes over time, always confirming that direct sale from producer to consumer was a guarantee of quality and value for money. And, of course, their recent revival in times of pandemic for their implicit anti-contagion characteristics, stirring interest and admiration worldwide The Association Buchette del Vino was founded in Florence, in October 2015, with the aim of surveying, studying, documenting, making known, and safeguarding a heritage widespread across Tuscany. A completely original testimony of how Florentine families who cultivated vines in the countryside sold the wine they produced directly to consumers of every social order through these very particular architectural artifacts. The census is still in progress and currently lists about two hundred and eighty windows. The association shares its research on a website and two social media profiles, presenting discoveries and actions like studies, meetings, guided tours, video tour production, buchette hunts, and more.