The Complete Rock Guitar Method. Beginning.

Con CD. USA, Alfred Publishing Co. 1997, cm.22x30, pp.95, brossura 3 punti metallici, cop.fig.col.

Firenze, Cesati Ed. 1991, cm.20x29, pp.CIV-455, 3 tavv.bn.ft.e num.diss.nt. legatura ed.in tutta tela, sopracop.

This firt edition was designed by Crimilda Pontes and produced in Verona, Italy under the direction of Martino Mardersteig at the Stamperia Valdonnega. The text, set in Monotype Bembo, was printed in fine screen offset. The paper was made especially by Magnani of Pescia. Recalcati of Milan was the bilder. With forty one paintings by Fenwick Lansdowne, and a chapter on fossil species by Storrs L.Olson. Boston, David R.Godine Publisher 1977, cm.28x42, pp.(I), (XX), 1-406, Stupendously colorful full-page color plates and that are augmented with learned text and brilliantly conceived research, plus an additional chapter on the fossil species. Bellissima rilegatura artigianale in mezza pelle e titoli e fregi in oro al dorso. Cofanetto e piatti in tela grezza grigia realizzata da legatoria Recalcati di Milano, come si evince anche da ex libris cartaceo applicato in appendice. Edizione Deluxe. Deluxe edition.

Oxford University Press 2011, cm.15,5x23, pp.XVIII,508, brossura copertina figurata a colori. Coll.Oxford Classical Monographs. Singing for the Gods develops a new approach towards an old question in the study of religion - the relationship of myth and ritual. Focusing on ancient Greek religion, Barbara Kowalzig exploits the joint occurrence of myth and ritual in archaic and classical Greek song-culture. She shows how choral performances of myth and ritual, taking place all over the ancient Greek world in the early fifth century BC, help to effect social and political change in their own time. Religious song emerges as integral to a rapidly changing society hovering between local, regional, and panhellenic identities and between aristocratic rule and democracy. Drawing on contemporary debates on myth, ritual, and performance in social anthropology, modern history, and theatre studies, this book establishes Greek religion's dynamic role and gives religious song-culture its deserved place in the study of Greek history.