Il concetto di Storia nella filosofia di Benedetto Croce.

Roma, Ente per la Diffusione e l'Educazione Storica 1965, cm.17,5x24,5, pp.461, centinaia di tavv.bn.ft. legatura ed.in tutta tela, sopraccop.fig.a col. Biblioteca di Storia Patria. Coll.L'Italia nei Secoli.

Torino, UTET 1965, cm.15,5x23,5, pp.VIII,605, 18 tavv.bn.ft. legatura ed.in tutta tela. Coll.La Vita Sociale della Nuova Italia,8. [buon esemplare]

Clero ribelle, contadini affamati e artigiani in rivolta e le origini dell'idea moderna di nazione siciliana. Pisa, Pacini Editore 1983, cm.17x24, pp.548, brossura sopracoperta figurata. Facoltà di lingue e Letterature Straniere dell'Università di Udine. Un contributo fondamentale del compianto studioso sulla società siciliana dagli ultimi anni del secolo XVII a tutto il periodo del secolo XVIII che precedette e seguì l’azione riformatrice del Viceré Caracciolo. «Clero ribelle, contadini affamati e artigiani in rivolta e le origini dell’idea moderna di nazione siciliana».

Torino, UTET 1965, cm.15,5x23,5, pp.VIII,605, 18 tavv.bn.ft. legatura ed.in tutta tela. Coll.La Vita Sociale della Nuova Italia,8. [buon esemplare]

Firenze, Accad.dei Georgofili 1991, cm.17x24, pp.166, num.tavv.a col.ft. brossura Suppl.a "I Georgofili".

Utrecht, Hedendaagse Kunst, 1-30 december 1972. Utrecht, Hedendaagse Kunst 1972, cm.14x20,5, pp.n.n.(144), 142 tavv.fotogr.in bn., brossura Ediz.originale. Molto raro. First edition. The original publication Richter’s Atlas accompanied the first exhibition of what has become perhaps his single most significant artwork, the evolving, ever-expanding compendium of imagery that Richter began to amass in 1964 by collecting photos printed in newspapers, magazines and commonplace sources. Richter’s process gained momentum as he added new categories of material, including his own photos and drawings, as well as postcards, anonymous snapshots, landscape images, historical likenesses, pornography, architectural renderings, technical drawings and much else, all in an effort to encompass the vast array of visual data that has become increasingly ubiquitous. These images, affixed to a few hundred panels and arranged on the wall in grids, comprised the first exhibition of Atlas and this artist’s book--which consists of page after page of visual information without any text, even page numbers, to guide the viewer--was its first published form. Atlas has been exhibited on numerous occasions throughout the world and new publications have also followed, but even as the number of panels and images has expanded tenfold, both the form of the installation and of the book has remained essentially that which was set forth her by Richter in 1972. Richter has stated on several occasions that Atlas is governed by no overriding logic or polemical position. It is not an image bank, an archive, or a system of typologies. It is, as the name implies, a cartographic effort. Yet it is a mapping project that remains necessarily unfinished. For Richter, this incompleteness is key; as he sees it, the central dilemma confronting the contemporary artist is the Sisyphean inevitability with which any aesthetic vision will ultimately fail to transform a world that is increasingly defined by the massive proliferation of visual imagery. Thus Atlas is both the visual and the existential context that frames Richter’s artistic output and, as such, it is one of the truly crucial documents of contemporary art.

cernusco sul naviglio (MI), Vallardi Ed., 1998, cm.10,5,x16,5, pp.352, brossura

Preface de Brigitte Gothière, Invader, Mike Ness, Tim McIlrath. Libertalia 2023, cm.21,5x28, pp.192, ill.a colori. legatura editoriale cartonata, copertina figurata a colori. Edición en Francés. Avec 75 recettes végétales, sucrées et salées, ce livre retrace 10 années d’expérimentations culinaires chez East Side Burgers, fast-food végétalien pionnier de sa génération, de sa création en 2012 à sa fermeture en janvier 2023.200 pages au fil desquelles on retrouve l’univers graphique, musical et engagé qui les caractérisait, au travers des affiches de leurs burgers collectors, des photographies des recettes par le photographe Yann Levy, et au travers de leurs actions solidaires et engagées.L’autrice raconte des anecdotes sur la création de certaines recettes, mais aussi comment en 10 ans l’équipe d’East Side Burgers a été témoin et a accompagné une évolution de la société vis-à-vis du bien-être animal, de son alimentation et de ses engagements.Enfin, quatre personnalités préfacent le livre :• Brigitte Gothière, co-fondatrice de L214 Éthique et animaux• Invader, street artiste• Mike Ness, chanteur de Social Distortion• Tim McIlrath, chanteur de Rise Against