Gesta di Federico I in Italia. Descritte in versi latini da anonimo contemporaneo ora pubblicate secondo un ms. della vaticana.

Intr.trad.e note a cura di F.Capecchi. Firenze Sansoni 1964, cm.20,5x13,5, pp.XXVII,662, legatura ed.in tutta tela, soprac.fig. Coll.I Grandi Classici Stranieri.

Prefaz.di Giovanni Spadolini. Firenze, Bonechi Ed. 1976, cm.17,5x24, pp.144, num.ill.nt.molte a p.pag. legatura editoriale con sopraccoperta figurata a colori.

Prefaz.di A.Consiglio. Roma, Ediz.Moderne Canesi 1960, cm.13x21,5, pp.181, num.tavv.a col.ft. legatura ed.in mz.tela,cofanetto con piatti figg.a col.

Traduz.,note e introduz.di F.Capecchi. Firenze, Sansoni Ed. 1956, cm.14x20,5, pp.XXVII-658, legatura ed.in t.pelle, scritte e fregi in oro al dorso.

Dipinti dei Musei Civici di Padova dalla metà del Quattrocento ai primi del Seicento. A cura di A.Ballarin, D.Banzato. Padova,19/5/1991-17/5/1992. Milano, Roma, Leonardo-De Luca Ed. 1991, cm.23x28,5, pp.374, 421 figure bn.e 32 tavole a colori nel testo, brossura copertina figurata a colori.

Translated by Cecil Jane, revised and annotatd by L.A. Vigneras, with an appendix by R.A. Skelton. London, Anthony Blond & The Orion Press 1960, cm.17x24, pp.XXXIII,226, 90 figg. from prints and maps of the period, legatura ed.soprac.fig.a col.

Edition originale. Paris, Charles Gosselin et W.Coquebert 1838, 2 tomi in un vol., cm.10,5x15,5, pp.(4),VIII,294,(2); (4),385, rilegatura coeva in mz.pelle a 4 falsi nervi, titoli e fregi in oro al dorso, piatti e risguardi marmorizz. Cerniera ant. guasta, eccellenti interni.

London, Yale University Press 2001, cm.25,5x33, pp.278 illustrato a colori., legatura editoriale cartonata, sopraccoperta figurata a colori. Allen Staley’s book The Pre-Raphaelite Landscape igniteda revival of interest in Pre-Raphaelite painting nearly three decades ago. Reintroducing the small group of young English artists who in 1848 founded the Pre-Raphaelite Brotherhood, this landmark book helped to attract both scholars and a new generation of admirers to the brilliant and audacious work of the Pre-Raphaelites. In this completely revised and updated second edition, Staley takes into account important artworks that have recently come to light as well as current understandings of the Pre-Raphaelite movement and its legacy. This lovely volume is greatly enhanced by more than 150 luminous color illustrations. Ranging widely in this volume, Staley offers a comprehensive account of the formation of the Brotherhood, the artists’ theoretical concerns about depictions of the natural world, and the emergence and impact of a school of Pre-Raphaelite landscape painting. Staley also discusses all the figures important to Pre-Raphaelitism: the artists (among them John Everett Millais and William Holman Hunt), their associates (Ford Madox Brown, William Dyce), the landscape specialists they influenced (Thomas Seddon, George Price Boyce), and their most articulate supporter, John Ruskin.