Yamaha Band Student, Book 3.

A collection of mixed ensembles that correlate page by page with the Yamaha Band Student. Van Nuys, Alfred Publishing Co. 1991, cm.23x30,5, pp.24, brossura cop.fig.a col. Coll.Yamaha Band Ensembles,5259. Yamaha Band Ensembles provide interesting repertoire selections in an amazingly flexibly format that will meet the needs of your band year after year, regardless of how your group's instrumentation varies. Each piece can be performed as a solo or ensemble by any combination of same or mixed instruments. Each ensemble also correlates with a specific page in the Yamaha Band Student.

A beginning method for individual instruction with optional Rock and Pop style. Play - Along Recording. Van Nuys, Alfred Publishing Co. 1993, cm.23,5x30, pp.32, brossura cop.fig.a col. Coll.Yamaha Flute Student.

A collection of mixed ensembles that correlate page by page with the Yamaha Band Student. Van Nuys, Alfred Publishing Co. 1990, cm.23x30,5, pp.24, brossura cop.fig.a col. Coll.Yamaha Band Ensembles,5253. Yamaha Band Ensembles provide interesting repertoire selections in an amazingly flexibly format that will meet the needs of your band year after year, regardless of how your group's instrumentation varies. Each piece can be performed as a solo or ensemble by any combination of same or mixed instruments. Each ensemble also correlates with a specific page in the Yamaha Band Student.

Van Nuys, Alfred Publishing Co. 1991, cm.23x30, pp.31, brossura cop.fig.a col. Yamaha Band Method,5214. Yamaha Band Student will appeal to teachers looking for a well-paced lesson sequence that keeps students motivated to continue past the first critical year. It is affordably priced, attractively presented and meets the needs of today's students and educators. Each level includes numerous songs, duets, trios and four full-band arrangements right in the method itself---perfect for first-year concerts.

Milano, Garzanti Ed. 1986, cm.13,5x21, pp.221, brossura Coll.Memorie Documenti Biografie.

Catalogue établi par Nadine Pouillon avec le concours d'Isabelle Monod-Fontaine. Paris, Centre Georges Pompidou, Collections du Musée National d'Art Moderne 1982, cm.23,5x30, pp.224, numerose ill.e tavv.in bn.e a col.nt., brossura, cop.fig.a col.con bandelle.

A cura di Gaetana Silvia Rigo. Firenze, Olschki Ed. 2009, cm 17 x 24, viii-116 pp. con 9 tavv. f.t. Biblioteca di storia della scienza, 52. Temi storico-scientifici forse già noti a chi frequenta alcuni settori specialistici qui si affiancano a testimonianze finora sconosciute, che avvicinano un personaggio meritevole di attenzione nello scenario della anatomia patologica di inizio Novecento. Emilio Veratti emerge nei suoi caratteri distintivi dalle lettere inedite inviategli da Camillo Golgi, e gli altri contributi delineano lo sfondo familiare e accademico che caratterizza lo svolgimento di una singola biografia nel mezzo di un importante rinnovamento scientifico. / Historical-scientific themes, perhaps already known to those who deal in specialist sectors, along with some completely new evidence shed light on Emilio Veratti, a figure worthy of attention in the field of anatomical pathology in the early twentieth century. Veratti’s personality emerges from unpublished letters written by Camillo Golgi, while other contributions trace his family and academic background, presenting his biography in the context of a major scientific renovation.

Si che non sei tu, neve, audio hall, specchi riflessi, per una virgola, non c'è più potenziale, l'insonnia, un anno in fretta, amici della terra, è stereo. Carisch 1995, cm.22x30, pp.24, brossura cop.fig.col.