La civiltà azteca.

Traduzione di Eugenio Battisti. Edizione riveduta e aggiornata da C.A.Burland. Torino, Einaudi 1971,1957,1976, cm.16x22, pp.XX,307, 117 illustrazioni in tavole in bn. fuori testo , una tabella ripiegata fuori testo , legatura editoriale in tutta tela, sopraccoperta figurata a colori. Collana Saggi,457.

Traduz.di Eugenio Battisti. Ediz.riveduta e aggiornata da C.A.Burland. Torino, Giulio Einaudi Editore 1957, cm.16x22, pp.304, 117 ill. in 64 tavv.in bn.ft., legatura ed.in tutta tela. Biblioteca di Cultura Storica,58.

Nuova ediz.riveduta a cura di Susannah B.Vaillant. Traduz.di Eugenio Battisti. Torino, Giulio Einaudi Editore 1977, cm.15,5x21,5, pp.XX,307,(13), 118 ill. in 64 tavv.in bn.ft., brossura, sopraccop.fig. a colori. Collana Saggi,457.

Chihuly Workshop 2007, cm.30x24, pp.222, illustrato a colori. legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Artist Dale Chihuly has developed many techniques over the past thirty years, including the fundamentals of a team. At the helm of the studio glass movement, he was instrumental in bringing glass out of the factories and into a more experimental environment. Teamwork has become a process integral in the world of glassmaking. As the function and development of Chihuly's work evolved into larger-scale series as well as installations, it became apparent that the roles and structure of the group would now transform into a teamed effort to create a vision led by the master. On average, a unique work by artist Dale Chihuly demands the participation of up to twelve people. The relationship between these artisans is a masterpiece in itself. Team Chihuly is laid out in a chronological order to give the reader a sense of the glass movement for themselves.