La figlia del capitano. La donna di picche.

Versione e note di Ettore Lo Gatto. Firenze, Sansoni 1954, cm.10,5x16, pp.XXIV,267, legatura editoriale cartonata. Bibl.Sansoniana Straniera.

Con una notizia sull'autore di Domenico Ciàmpoli. Grafica di Duilio Cambellotti. Milano, Istituto Editoriale Italiano s.d.(anni '20), cm.12,5x19, pp.316, un ritratto in bn.all'antiporta, legatura ed.cartonata, impressioni a secco e titoli in oro al piatto ant., titoli in oro al dorso. (mende alle cuffie). Collana Gli Immortali,28.

Traduit du russe par Marc Semenoff. Paris, Librairie Plon 1921, cm.12x19, pp.(6),VI,234,(6), rilegatura coeva in mz.pelle con angoli, dorso a 4 nervi con titoli e motivo centrale a candelabra in oro, taglio sup.in oro. Cop. e dorso originali conservati. Ex libris coevo al I risguardo.

A cura di Ettore Lo Gatto. Milano, Mursia 1986, cm.13,5x20, pp.XXXIII,683, legatura editoriale copertina figurata a colori. Custodia fig.a colori. Collana I Grandi Scrittori di ogni Paese. Serie Russa.

A cura di Carlo Zaghi. Torino, UTET 1982, cm.18x24, pp.LXIII,105, num.ill.e tavv.a col.ft. facsimili. legatura editoriale cartonata,. Collana Strenna,1982.

(Biblioteca Nazionale Centrale di Firenze, 22-24 aprile 1999). A cura di L. Balsamo, P. Bellettini, A. Olschki. Firenze, Olschki Ed. 2001, cm.29,5x21, vi-426 pp., Collana Il traguardo del secolo è una ricorrenza importante e anche insolita per una rivista specializzata. È sembrato opportuno celebrarlo in modo austero e significativo invitando i maggiori esperti di storia del libro a partecipare a un convegno internazionale Reaching a century is an important but also an unusual anniversary for a specialised journal. It seemed appropriate to celebrate it in a solemn and significant way inviting some of the major exponents on the history of the book to participate in an intern

English / German edition. Zurich, JRP Ringier Kunstverlag 2015, cm.20,5x26, pp.176, 45 color ill. 40 b/w. hardcover with jacket. Tobias Madison (*1985, Switzerland) belongs to a generation of young artists who frequently open up the isolated process of artistic creation through the use of cooperative or collective strategies. The roles that he adopts are as wide-ranging as the media in which he works: sculpture, video, projection, computer-generated and assisted painting, audio, text, photography, and scanned images, all of which are process-driven, and full of references and descriptions of found symbols. This publication mirrors in book form the 2-phase exhibition held at the Kunsthalle Zürich, and reflects the artist’s understanding that an exhibition is not a format limited by space, but the possibility of temporal and physical expansion and intensification. Madison worked with feedback loops and shifts in the exhibition format: the presentation took place at several sites in Zurich—including the artist-run space AP News and the notorious Longstreet Bar—that were connected spatially and conceptually by numerous events; the gallery’s newsletter not only announced the events but also became an ephemeral publication, in which a text by the artist and other contents were disseminated. This material is now included in this book, mingled with a deconstruction of the poster series by artist Mathis Altman (*1987) that publicized the club nights during the exhibition, which were shown in the entrance area of the exhibition space. The book is the first monograph dedicated to Tobias Madison’s work and is published in the Kunsthalle Zürich series. It includes a newly commissioned text by John Beeson, and two conversations with the artist, one with Beatrix Ruf and one with Bruce Hainley.

Catalogue of Exhibiotions. With essays by R. Soekmono, Edi Sedyawati. Washington, National Gallery of Art. New York, Harry Abrams 1990, cm.21,5x29, pp.310, illustrato a colori. brossura con copertina figurata a colori.