Remo Salvadori: L'attenzione divisa / Divided Attention.

London, Royal Academy of Arts, 25 November 1983 - 11 March 1984. Catalogue edited by Jane Martineau and Charles Hope. London, Weidenfeld and Nicolson 1983, cm.21,5x28, pp.413,(3), numerose illustrazioni in bn. nel testo e 96 tavole a colori fuori testo , brossura, copertina figurata a colori.

Florence, Palazzo Strozzi 24 October 2008- 8 February 2009. Curated by Clarice Innocenti. Florence, Mandragora 2009, cm.24,5x29, pp.192, centinaia di figg.a col.nt. brossura cop.fig.a col.

New York, Sotheby Parke Bernet, September 29th through October 8th 1982. Florence, Officine Grafiche Firenze for Sotheby Parke Bernet 1982, cm.20x22, 234,(6),oltre 100 ill. a col. e numerose figg. in bn. nt., brossura, cop. fig. a colori.

Lorenz Homberger is the curator of the department of the art of Africa and Oceania in the Museo delle Culture Extra-EuropeeRietberg in Zurich. Milano, MUDEC-Museo delle Culture, March 29 - August 30, 2015. English text by Lorenz Homberger, Guy Cogeval. Milano, 24 Ore Cultura 2015, cm.28x32, pp.256, ill. col. Hardcover. African art emerged from the world of ethnology at the beginning of the 20th century to find its place in the history of art. The book will attempt, for the first time, to highlight both the purely aesthetic aspects of African works of art, and their significance, explored in light of the religious and social structures that characterise the African continent; slabs from Benin, Bakotan reliquaries, Bundu masks, pieces in ivory, wood and bronze, to look at Africa from this two-fold point of view. A description of the principal African ethnic groups and where they are, with a timeline showing the main stages in African studies from myth to history.

Roma, Ediz.dell'Ateneo 1956, cm.17x24, pp.174, num.figg.bn.in tavv.ft. legatura ed. Quaderni della Mostra Internaz.d'Arte Cinematografica di Venezia. (copia con timbro di ex biblioteca),

Genève, Skira 1975, cm.25x34, pp.198,(2), 61 tavv. a col. applicate di cui una all'antip. e numerose ill. in bn.nt., legatura ed.in tutta tela, titoli al piatto ant. e al dorso, sopraccop.fig. a col., fascetta ed., custodia. [buon esemplare.]

Texte de Anne Lochard de Maissonier. Paris, RMN Réunion des Musées Nationaux 1994, cm.13,5x22, pp.110 ill.bn.e a colori. brossura copertina figurata a colori.

A cura di Carlo Falciani e Simone Giusti. Firenze, Galleria Pananti 1999, cm.21x24, pp.110,num.ill.col.nt. brossura copertina figurata a colori.