Volare in cielo.

Traduz.di Gabriele Tamburini, Milano, Editrice Nord 1971, cm.12,5x19,5, pp.177, legatura ed.carton., sovraccop.fig.a col. Coll.di Fantascienza Cosmo,7.

Milano, Club del Libro su Licenza Bompiani 1994, cm.14x21, pp.318, legatura ed.soprac.fig.a col. Coll.Fantascienza.

N. 273, 14 gennaio 1962. Milano, Arnoldo Mondadori Ed. 1962, cm.13x19, pp.143, brossura cop.ill.a col. Coll.Urania,273. Lo strano professor Chandler con i suoi periodici comunicati in cui annunciava al mondo di essere ormai prossimo a risolvere l'equazione per i viaggi spaziali con l'iperpropulsione, è scomparso da secoli, senza lasciar tracce, quando il giovane Alan è costretto ad annunciare al padre, Comandante dell'astronave Valhalla, che Steve è uscito dal Quartiere degli Astronauti per vedere da vicina la grande città dove vivono gli uomini che non hanno mai volato fra le stelle. In quella immensa metropoli succedono molte cose strane, e la più strana di tutte è che Steve, gemello di Alan, si troverà ad avere ventisei anni invece di diciassette quando il Valhalla tornerà dal suo viaggi ad Alpha Centauri. Soltanto il professor Chandler, se fosse veramente riuscito a risolvere la sua famosa equazione, avrebbe evitato che si verificasse una stranezza del genere. A meno che qualcuno non abbia ancora tanta fiducia in lui da voler scoprire a tutti i costi la verità sulle sue ricerche.

Milano, Siad Ediz. 1981, cm.13x20, pp.128, brossura cop.ill.a colori. Coll.Omicron.

Reggio Emilia, Libreria del Teatro Ed. 2000, cm.11,5x19,5, pp.130, brossura cop.fig.a col.

Firenze, Casa Ed.Le Lettere 2001, cm.15x21, pp.192, brossura con bandelle, cop.fig. Coll.Le Vie della Storia,47. Serie Le Vite.

Strategy and Tactics. Staplehurst, Spellmount Ltd. 2001, cm.22x29, pp.176, oltre 200 ill.e tavv.bn.nt. legatura ed.cartonata,cop.fig.

Callisto Publishers 2016, cm.31x40, pp.384 illustrazioni bn.e a colori. legatura editoriale cartonata, copertina figurata a colori. Collector's Edition. The history of Canada is inseparable from the history of Canadian Pacific. The company's advertising and publicity strategies and their influence on the country's perception can be regarded as a very early example of the concept of nation branding. The deep interdependence between a private company's economic and strategic interests and a newly formed nation's identity makes this arrangement unique. Canadian Pacific not only built the nation's first transcontinental railway, a prerequisite for Canada's political unification in the 19th century; it quickly expanded to become the world's largest transportation conglomerate that for many decades formed the backbone for Canada's economic development. Efficient railroad and global shipping services were complemented by numerous activities that attracted immigrants and tourists to Canada, including the famous landmark hotels designed in what is now referred to as Canadian Chateaux Style: Chateaux Frontenac, The Banff Springs Hotel, Chateaux Lake Louise, and many others. A distinct Canadian national identity was still in its infancy in the 19th century, and various stereotypes linked with Canada today are the direct result of decisions made by the designers and artists whose work is portrayed in the book and by Canadian Pacific's executives. In the context of these identity building processes the book showcases the significance of commercial art and advertising pointing far beyond their trivial function as promoters of a commodity or service.Professor Marc H. Choko's concise and compelling narrative is brought to life by more than 600 carefully selected historic photos, illustrations and documents that mirror Canadian Pacific's widespread activities and unusually diverse clientele, ranging from the adventurous travelers of the late 19th century to immigrants in search of a better future, from wealthy cruise passengers to big game hunters, from outdoor enthusiasts to airline customers starting in the 1940s.No expense has been spared to reproduce this critical part of Canadian history: the publisher sent their production manager to Canadian Pacific's corporate archives in Montreal to supervise digitalization and record the properties of the originals reproduced in this book, taking note of any special colours or other significant characteristics. Similarly, many museums and private collectors cooperated to allow for a book that reproduces all commercial art with unparalleled accuracy and vivacity. Conceived by internationally recognized art book publisher Callisto and designed by distinguished Berlin-based designer Yvonne Quirmbach, Canadian Pacific: Creating a Brand, Building a Nation was produced in a renowned printing facility in northern Italy on deluxe 200g Fedrigoni paper. The clamshell case, also designed by Yvonne Quirmbach and limited to an edition of 999, was handcrafted in Berlin, Germany. It features a wood veneer cover symbolizing the natural beauty of Canada.