Proteo.

Trad. di Paolo C.Gajani. Milano, TEA 1992, cm.13,5x19, pp.325, brossura cop.fig.a col. Coll.Teadue.

Traduz.di Bruno Oddera. Milano, Arnoldo Mondadori Editore 1975, cm.15x21, pp.317, legatura ed., sopracop.fig.a col. Coll.Omnibus. Prima edizione.

Traduz.di Bruno Oddera. Milano, Arnoldo Mondadori Editore 1979, cm.14x21, pp.311,1), legatura ed.cartonata, sopraccop.fig.a colori. (minimi segni d'uso.) Coll. Omnibus.

Traduz.di Paola Forti. Milano, Club degli Editori su licenza Mondadori Ed. 1969, cm.13,5x21, pp.379, legatura ed. sopraccop.fig.a col. Coll.Un Libro al Mese, Narrativa,K3.

Edited by David Anfam, Stach Szablowski, Michael Gauthier. Milano, Skira 2022, cm.25x30,5, pp.208 ill. legatura editoriale copertina figurata. In paintings from Stefan Gierowski's first, figurative creative stage, one can notice traces of a post-cubist rhythmisation of a form and simplifications borrowed from the naïve art. Around 1957, the artist stepped into non-figurative painting, which became his main area of interest. He started painting abstract compositions, in which the intellectual factor, manifesting itself in a clear composition, was dominated by emotions.