Italian 16th Century Drawings from British Private Collections.

Firenze-Siena, 1970. Catalogue Editors: Kyle Meredith Phillips, Anna Talocchini. Firenze, Leo S.Olschki Editore 1970, cm.15x21, pp.79, XLIV tavv.in bn.ft. in append., brossura, cop.fig. English Edition.

London, Royal Academy of Arts, 25 November 1983 - 11 March 1984. Catalogue edited by Jane Martineau and Charles Hope. London, Weidenfeld and Nicolson 1983, cm.21,5x28, pp.413,(3), numerose illustrazioni in bn. nel testo e 96 tavole a colori fuori testo , brossura, copertina figurata a colori.

1830-1980. Staatliche Museen Preusischer Kulturbesitz, Berlin 5/7- 28/9/1980. in der Nationalgalerie. Berlin, Staatliche Museen 1980, cm.22x27, pp.400, num.figg.bn.nt. brossura Testo in tedesco.

Herausgegeben von Gotz Czymmek. Wallraf Richartz Muesum Koln, 6/4-1/8/1990. 1990, cm.24x29, pp.520, num.figg.a col.nt. brossura cop.fig.a col.

A cura di Vincenzo Romano. Roma, Belardetti Ed. 1962, 2 volumi. cm.17x25, pp.470,525, brossure. Ediz.Naz.delle Opere di Girolamo Savonarola.

Roma, La Nuova Italia Scientifica 1986, cm.11x18, pp.261, brossura cop.fig. Coll.I Problemi della Sanità,104.

Alphonse Leduc 1988, cm.23x30, pp.38, fascicolo spillato. Jean-Paul Holstein, Pierre-Yves Level and Alain Louvier compile an exciting series to aid vocalists in their understanding of compositions from Plainchant to the present day. Volume one gives focus to the era from Plainchant to Johann Sebastian Bach. This first volume within Music for Voice for Music Theory classes is suitable for beginner vocalists, with a preface given by Olivier Messiaen. This first volume includes works by Bach, Couperin, Handel, Gluck, Lully and Montverdi, among other famous composers. For all vocalists seeking to better understand the history and context of the music they address, Holstein, Level and Louvier 's Music for Voice for Music Theory classes ensures a necessary understanding.