Pratica con le dodici chiavi. Con la spiegazione della tavola di smeraldo di Hermes Trismegisto ad opera di Hortolanus.

Siena, Ediz.d'Arte Jacopo della Quercia 1972, cm.31,5x44, pp.ca.70, num.figg.e tavv.bn. legatura ed.in tutta tela. Ediz.limitata e numerata in 1000 esempl. ns.259.

Prato, Ediz. Le Polene 2003, cm.25x30,5, pp.432, numerose illustraz. bianco e nero e a colori nel testo, legatura editoriale, sopraccoperta figurata a colori.

Firenze, Shakespeare and Company 1993, cm.13x20,2, pp.82,(6), leg. ed. cartonata, impress. a secco al piatto ant. e titolo in oro al dorso, sopraccop. fig. a col. Dedica autogr. dell'A. alla II carta.

Translated fron the Hebrew by Nicholas de Lange in collaboration with the author. Chatto & Windus 2001, cm.16x22, pp.198, legatura editoriale cartonata, sopraccoperta figurata. Here is a book in a magical category of one, a truly outstanding, resonant and original work, in a bold and daring new form, which breaks the mould of storytelling. It tells an intimate, everyday story of grief, love, attachment and loss through the voices of a fabulous range of characters - in some ways it recalls Under Milk Wood. Nadia Danon is dead, of cancer. Her widower, Albert, an accountant (who bears an odd resemblance to Amos), is trying to put his life back together. Her son has gone off to lose or find himself in Tibet. The son's girlfriend, a filmmaker, is back in Israel, making friendly, daughterly overtures to Albert - his response is less platonic. Meanwhile she has another lover and a rather repellent film producer also lusts after her. There are other wonderful characters. Theirs are the voices and the stories. It is beautiful, funny, heartbreaking, sexy, poetic, full of echoes and allusions, and yet with an astonishing immediacy and contemporaneity., and pure joy to read.