Invenzione e riscrittura nel racconto di Viaggio.

Venezia,Palazzo Ducale,2/6-7/10/1990. Washington,National Gallery of Art,28/10/1990-27/1/1991. Venezia, Marsilio Ed. 1990, cm.21,5x29, pp.XVI,432, num.ill.e tavv.bn.e col.nt. brossura copertina figurata a colori. A comprehensive work on the master painter of the Italian Renaissance. This illustrated volume combines commentary from art historians along with colour reproductions of the artist's frescoes, portraits and altarpieces which reflect conservation efforts. Essays from 16 scholars explore every aspect of Titian's life and art, and more than 75 masterpieces are closely analysed and accompanied by full-colour plates. The book also features a comparative chronology as well as a section devoted to a scientific analysis of Titian's technique. Accessibly presented and aimed at a broad audience, this is an authoritative examination of one of the world's most important and beloved artists.

Phisique. Paris, Armand-Aubrée Editeur 1830, cm.13x21,5, pp.475, con una tavola ripieg.ft."Nature de la lumière". rilegatura in mz.pelle, fregi e titoli in oro al dorso.

Paris, Bayard 2008, cm.16x20, pp.124, ill.col. broché, Coll. Bayard BD. Ariol est un petit âne bleu à lunettes. Il vit en banlieue avec son papa et sa maman. Son meilleur copain est un cochon. Il est amoureux d'une jolie génisse de sa classe. Son instituteur est un grand chien, et son prof de gymnastique, un gros coq. Bref, Ariol est exactement comme vous et moi.

Published on the occassion of 'Tonico Lemos Auad' at Stephen Friedman Gallery, London (9 February - 10 March 2018). London, Koenig Books 2018, cm.22x31, 188 pages, 127 col.ill. hardcover, clothbound. Kiki Mazzucchelli escreveu um texto crítico para a primeira monografia de Tonico Lemos Auad, a ser lançada na Galeria Luisa Strina na próxima terça-feira, 10 de abril. Além dela, José Augusto Ribeiro e Grant Watson também participam da publicação, que abrange mais de duas décadas de produção do artista. O livro parte da primeira série de esculturas de Auad, feitas de fiapos de carpete e desenhos sobre cascas de banana, até chegar em seus trabalhos mais recentes, que usam tecido e plantas medicinais como suporte. Constrói, assim, uma visão abrangente e ricamente ilustrada da obra do artista, que investiga noções de tempo, mortalidade e reparo através da transformação de materiais comuns em imagens e estruturas complexas. -- This mid-career monograph covers more than two decades of London-based Brazilian artist Tonico Lemos Auad’s (b.1968) work. Since the late 1990s, Auad has developed a multifarious body of works that probes notions of time, mortality and repair through the transformation of ordinary materials into remarkably complex images and structures. From his celebrated early series of sculptures made of carpet fluff and drawings on banana skins to his recent focus on textiles and medicinal plants, this publication offers a comprehensive and generously illustrated overview of this singular artist’s oeuvre. Newly commissioned essays by Kiki Mazzucchelli, José Augusto Ribeiro and Grant Watson offer new perspectives on Auad’s practice by exploring different aspects of his rich and varied exploration of unusual materials and forms.