Qumran. Die Schriftrollen vom Toten Meer.

Thames & Hudson 2011, cm.19x25, pp. 84, color and 132 black-and-white illustrations hardcover, dustjacket. With numerous factfiles, reconstructions, scroll photographs, and a wealth of other illustrations, it is the most comprehensive and accessible account available on the Dead Sea Scrolls. Ever since the first scrolls were found in the Judaean desert in 1947, the Dead Sea Scrolls have been the subject of passionate speculation and controversy. The possibility that they might challenge assumptions about ancient Judaism and the origins of Christianity, coupled with the extremely limited access imposed for many years, only fueled debate on their meanings. With all the scrolls now available in translation, conclusions can be drawn as to the authorship and origins, their implications for Christianity and Judaism, and their link with the ancient site of Qumran. This book, written by three noted scholars in the field, draws together all the evidence to present a fully illustrated survey of every major manuscript.

Aus dem Englischen übersetzt von Thomas Bertram. Stuttgart, Konrad Theiss Verlag für Wissenschaftliche Buchgesellschaft 2002, cm.19x25,7, pp.216, testo su 2 colonne, numerose ill. a uno, 2 e 4 colori nt., legatura ed. in imitlin, titolo al dorso, sopraccoperta fig. a colori.

Thames & Hudson 2011, cm.19x25, pp. 84, color and 132 black-and-white illustrations softcover. With numerous factfiles, reconstructions, scroll photographs, and a wealth of other illustrations, it is the most comprehensive and accessible account available on the Dead Sea Scrolls. Ever since the first scrolls were found in the Judaean desert in 1947, the Dead Sea Scrolls have been the subject of passionate speculation and controversy. The possibility that they might challenge assumptions about ancient Judaism and the origins of Christianity, coupled with the extremely limited access imposed for many years, only fueled debate on their meanings. With all the scrolls now available in translation, conclusions can be drawn as to the authorship and origins, their implications for Christianity and Judaism, and their link with the ancient site of Qumran. This book, written by three noted scholars in the field, draws together all the evidence to present a fully illustrated survey of every major manuscript.

Thames & Hudson 2011, cm.19x25, pp. 84, color and 132 black-and-white illustrations hardcover, dustjacket. With numerous factfiles, reconstructions, scroll photographs, and a wealth of other illustrations, it is the most comprehensive and accessible account available on the Dead Sea Scrolls. Ever since the first scrolls were found in the Judaean desert in 1947, the Dead Sea Scrolls have been the subject of passionate speculation and controversy. The possibility that they might challenge assumptions about ancient Judaism and the origins of Christianity, coupled with the extremely limited access imposed for many years, only fueled debate on their meanings. With all the scrolls now available in translation, conclusions can be drawn as to the authorship and origins, their implications for Christianity and Judaism, and their link with the ancient site of Qumran. This book, written by three noted scholars in the field, draws together all the evidence to present a fully illustrated survey of every major manuscript.

Milano, All'Insegna del Pesce d'Oro 1989, cm.12x17, pp.139, 1 tavv.bn.ft. brossura

Pennsylvania The Pennsylvania State University Press 1994, cm.22x28,5, pp.XIII,76, 98 ill.bn.in tavv.ft., legatura editoriale con sopraccoperta figurata a colori. Ediz.in lingua inglese. The remarkable evolution of Italian Gothic and Renaissance sepulchral art was initiated, not by the tomb of a pope or a prince but by one made for a saint, Dominic Guzmàn, founder of the Order of Preachers. The tomb was designed by Nicola Pisano in 1264 and built in San Domenico, Bologna, in 1267. Shortly after its construction, monumental tombs appeared everywhere in Italy, characterized by increasingly large-scale, spatially aggressive, architectonic forms with rich sculptural embellishments. This study analyzes the form and structure of this thirteenth-century monument and explores its meaning to Pisano's contemporaries, patrons as well as the public. Anita Moskowitz's discussions of the two major descendants of the Arca di San Domenico—the Arca di San Pietro Martire in Milan by Giovanni di Balduccio and the Arca di Sant' Agostino in Pavia by a follower of Balduccio—as well as the

Torino, Einaudi Ed. 1972, cm.14x22, pp.170, legatura editoriale in tutta tela, con sopraccoperta figurata a colori.

Traduz.di Giovanna Nobile. Illustraz.di Lucy Sue. Como, Lyra Libri Ed. 1990, cm.19,5x25, pp.95, num.disegni bicolori nt. legatura ed.sopracop.fig.a col.