CART go to cart
Books
Total
FREE SHIPPING COSTS
FOR ORDERS OVER
35 € TO ITALY
70 € TO EUROPElimits and conditions

Morte di un commesso viaggiatore. Dramma in due atti e un requiem.

Author:
Curator: Traduzione dall'inglese di Gerardo Guerrieri.
Publisher: Garzanti.
Date of publ.:
Details: cm.11x18, pp.XII,209,(3), brossura, copertina figurata a 2 colori. Collana Amena, 102. Sez. Teatro. Prima edizione italiana.

ConditionsUsato, buono
Note: Segno di piega all'angolo inf. della cop. posteriore, altrimenti ottimo esemplare.
EUR 12.00
Last copy
Add to Cart

See also...

Traduz.di Bruno Tasso. Milano, Arnildo Mondadori Ed. 1966, cm.11x18, pp.300, brossura cop.fig.a ciol. (leggere tracce d'uso). Collana Gli Oscar,52.
EUR 8.00
2 copies
#87710 Biografie
Traduzione di Maria Teresa Marenco e Marco e Dida Paggi. Milano, Mondadori 1988, cm.16x24, pp.638, alcune tavv.bn.ft. legatura editoriale cartonata con sopraccoperta figurata. Collana Ingrandimenti.

EAN: 9788804305118
Usato, come nuovo
Note: Lievissime imperfezioni alla sovraccoperta, altrimenti libro nuovo.
EUR 11.00
Last copy
Traduzione di Gerardo Guerrieri. Torino, Einaudi 1964, cm.14x22,5, pp.156, legatura editoriale in tutta tela, sovraccopertina figurata.
Usato, buono
Note: Mende e aloni alla sovraccoperta. interno molto buono.
EUR 9.00
Last copy
A cura di Bruno Fonzi. Traduz.di Gerardo Guerrieri, Luchino Visconti, Gino Bardi, Bruno Fonzi. Torino, Einaudi Ed. 1960, cm.14,5x22,5, pp.605, legatura editoriale in tutta tela, con sopraccoperta figurata a colori.
Usato, buono
Note: copertina con macchiette.
EUR 14.00
Last copy

Recently viewed...

Cambridge, University Press 1980, cm.13,5x21,5, pp.270, brossura cop.fig. Testo in inglese. The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama.

EAN: 9780521296953
Nuovo
EUR 24.00
-70%
EUR 7.00
Available