Treasures of Tutankhamun. A loan exhibition from the Department of Antiquities of Arab Republic of Egypt.

Firenze-Siena, 1970. Catalogue Editors: Kyle Meredith Phillips, Anna Talocchini. Firenze, Leo S.Olschki Editore 1970, cm.15x21, pp.79, XLIV tavv.in bn.ft. in append., brossura, cop.fig. English Edition.

London, Royal Academy of Arts, 25 November 1983 - 11 March 1984. Catalogue edited by Jane Martineau and Charles Hope. London, Weidenfeld and Nicolson 1983, cm.21,5x28, pp.413,(3), numerose ill.in bn.nt. e 96 tavv. a col.ft., brossura, cop.fig.a colori.

1830-1980. Staatliche Museen Preusischer Kulturbesitz, Berlin 5/7- 28/9/1980. in der Nationalgalerie. Berlin, Staatliche Museen 1980, cm.22x27, pp.400, num.figg.bn.nt. brossura Testo in tedesco.

24 Januar bis 15 Marz 1959. Zurich, Kunsthaus Zurich. 1959, cm.16x24, pp.102, 120 figg.bn.in tavv.ft. e num.tavv.a col. brossura cop.fig.

Con la consulenza di Edi Baccheschi per la parte iconografica. Presentazione di Clelia Alberici. Milano, Mursia 1987, cm.21x27, pp.158, num.figg.a col.nt. legatura editoriale cartonata sopracoperta figurata a colori. Coll.Piaceri e Tesori. Biblioteca dell'Amatore Collezionista.

Roma, Casa Editrice Pinciana 1937, cm.13,5x19, pp.167,(1), 22 tavv. di foto, ill. e facsimile in bn.ft., brossura, cop. fig. con bandelle. Prima edizione. Premio Viareggio 1938.

49 novelle commentate da Attilio Momigliano. A cura di Edoardo Sanguineti. Torino, Petrini Editore 1959, cm.14x20,5, pp.446, illustrazioni in bianco e nero nel testo, brossura con bandelle, Collezione Scolastica di Classici Italiani.

Edited by Amanda Maddox, Karolina Ziebinska-Lewandowska & Damarice Amao. With contributions by Dawn Adews, Alix Agret, Patrice Allain, Victoria Combalia, Emma Lewis, Laurence Perrigault... Los Angeles, Paul Getty Museum 2019, cm.23x29, pp.210 illustrazioni bn, brossura con copertina figurata a colori. This paperback Dora Maar exhibition catalogue is exclusively available from Tate Shop, and focuses on the practice and impact of an unsung surrealist master. An accessible and elegant publication, it contains many of Dora Maar’s greatest works, interspersed with texts by a selection of pre-eminent critics and writers. French photographer, painter and poet Dora Maar (b. Henriette Theodora Markovitch, 1907–97), was a remarkable artist who straddled both the artistic and commercial realms. Until recently, Maar’s work has often been overlooked in favour of her role as model and archivist to other artists, including Man Ray and Picasso - yet Maar had been making a name for herself on the avant-garde scene long before she met these men, having studied at Académie Julian, André Lhote’s atelier, École de Photographie de la Ville de Paris and the Union Centrale des Arts Décoratifs. After it was exhibited in London at the International Surrealist Exhibition in 1936, her celebrated image Père Ubu became an emblem for the surrealist movement. Texts include: ‘Fashion and advertising’ by Amanda Maddox; ‘Nude and Eroticism’ by Alix Agret; ‘Social Engagement’ by Florian Ebner; ‘Barcelona’ by Victoria Combalia; ‘Social and Political Engagement’ by Patrice Allain; ‘Found Surrealism’ by Dawn Ades; ‘Photo Collages’ by Karolina Ziebinska-Lewandowska; ‘Surrealist Exhibitions and the “Ubu” Portrait’ by Ian Walker; ‘Women of Surrealism: Maar’s constellation’ by Abigail Solomon-Godeau; Maar’s Portraits by Picasso’ by Emma Lewis; ‘Late Work’ by Damarice Amao; and ‘Late Negatives’ by Anne Cartier-Bresson