Géricault.

Torino, Garzanti Ed. UTET 1982, cm.22x29, pp.189, centinaia di ill.e tavv.bn.e a col.interc. legatura ed.in tutta tela, sopracop.fig.a col. Coll.Storia dell'Arte in Italia.

Milano, Garzanti Ed. UTET 1992, cm.22x29, pp.241, centinaia di figg.a col.nt. legatura ed.in tutta tela, sopraccop.fig.a col. Coll.Storia dell'Arte in Italia.

Roma, Editori Riuniti 1997, cm.15x21, pp.VII,215, brossura cop.fig.a col. Coll.Nuova Biblioteca di Cultura.

Torino, UTET 1980, cm.22,5x28,5, pp.241, centinaia di ill.e tavv.bn.e col.interc.nt legatura ed.in tutta tela. Coll.Storia dell'Arte in Italia.

Napoli, Francesco Perrella Editore 1907, cm.19x25,5, pp.158, brossura sopracop.in velina.

Paris, P.Lethielleux, Libraire-Editeur s.d., cm.12x18,5, pp.362, brossura intonso. Buon esempl.

Prague, Central State Archives, 28 September - 31 October 2002. Edited by Eva Gregorovicova. Prague, Central State Archives 2002, cm.21,5x29,5, pp.149,(3), numerose ill. a col. e alcune in bn. nt., brossura, cop. fig. a colori.

New York, Vertigo 2005, cm.17x26, pp.128, paperback. This horrific, disturbing graphic novel is a new direction for the acclaimed Books of Magic, conceived by the writing genius behind Sandman, Neil Gaiman. Like a Hell-born Harry Potter, mage-in-the-making Timothy Hunter finds himself as the nexus for overlapping alternate universes, where a forthcoming war has spilled out over the Earth and its shade reality, Faerie. This mystic apocalypse will span the cosmos and wrench Tim into a reality that brings with it all the psychological horrors and blood-red savagery of a universe gone mad! Like Death and the Sandman himself, Tim Hunter is another of Neil Gaiman's unforgettable creations, but this time he's taken it and twisted - really hard!