Lunga è la notte.

Pisa, Tipografia Pacini Mariotti 1973, cm.25,5x36, pp.130, num.figg.e testatine bn.nt. brossura Rist.dell'ed.E.Pacini, 1930.

Novara, Istituto Geografico De Agostini 1964, 3 voll., cm.24x30,5, pp.644,655,670, centinaia di figg.bn.e a col.nt. legature editoriali cartonate. Esempl. privo di sovraccoperte.

In appendice scritti di Renato Zangheri. Bologna, Riccardo Franco Levi Ed. 1976, cm.13,5x21, pp.188, brossura Coll.Storia e Società,2.

A cura di Loris Mazzatti. Milano, Rizzoli 2008, cm.14x22,5, pp.522, legatura editoriale, sopraccoperta figurata a colori.

Torino, UTET 2005, cm.17x24, pp.152, numerose figure bn. nel testo, legatura editoriale cartonata sopraccoperta figurata a colori. Coll.Strenna,2005.

Sous la direction d'Anne Zali et d'Anne Berthier. Paris, Bibliothèque nationale de France 1997, cm.20x27, pp.223, num.figg.bn.e a col. brossura con bandelle,cop.fig.a col.

Firenze, Testarda 1998 (?), cm.29x20,5, pp.126, centinaia di tavole a colori nel testo, brossura copertina figurata a colori.

Faber Music, 2004, Book+CD cm.22,5x30,5, pp.32, brossura Following on from the very successful After Hours piano volumes, Pam Wedgwood has now penned eight atmospheric pieces for the intermediate trumpet player. They are ideal for teacher or pupil and provide a perfect follow-on for those that have used and enjoyed Pam's highly acclaimed Jazzin' About series.The book contains piano accompaniments, but for extra sophistication a CD of backing tracks is also included. Each piece within the collection has two different backing tracks: the first (full performance) includes the backing track along with the instrumental melody; the second (backing only) presents the backing track alone. The full performance track is provided to help the player to the learn the melody and its interaction with the accompaniment; the melody is played on a marimba to avoid dominating the acoustic 'live' instrument for those players who choose to play along with this version of the backing.