Westlife. The Best So Far.

Firenze, Palazzo Vecchio 20/6-30/9/1996. Milano, Skira 1996, cm.25x29, pp.48, num.figg.bn.e col.nt. brossura con copertina figurata a colori.

Préface de Jean Vilar. Nouvelle édition revue et complétée. Paris, Les editeurs Français Réunis 1968, cm.13,5x20, pp.405, 8 tavv.in bn.ft. e 2 ill.in bn.nt., brossura, cop.fig. (minimi segni di umidità al dorso ma copia in ottimo stato.)

A cura di Sandrina Bandera, Alessandro Castiglioni, Emma Zanella. Edited by Sandrina Bandera, Alessandro Castiglioni, Emma Zanella. English edition. Milano, Skira 2018, cm.17x24,5, pp.176 ill.a colori. legatura editoriale copertina figurata a colori. The book features eighty paintings and drawings, most of which unpublished, which shed a completely new light on the artistic activities of the father of the Beat Generation. A special focus is given to analysing his labyrinthic creative process and his relationships with traditional American visual culture, and with other Beat movement authors from Allen Ginsberg to William Burroughs and the masters of Art Informel and the New York School with whom Kerouac started hanging out in the latter half of the 1950s.