Hootie & the Blowfish. Cracked Rear View. Matching folio with 11 songs, including: Let Her Cry * Goodbye * Hold My Hand * Look Away * Only Wanna Be with You * and more.

IMP 1995, cm.23x30, pp.78, brossura Guitar recorded version.

Hal Leonard 1996, cm.23x30 pp.80, brossura Piano,Vocal,guitar.

The Best of Hootie and the Blowfish is now available in easy guitar notation transcribed for beginning players. The melody line is transcribed in standard notation and tablature. Ideal to supplement any teaching program. Includes songs from their albums 'Cracked Rear View' and 'Fairweather Johnson.' Hal Leonard 1997, cm.23x30, pp.80, brossura fig.col.

Vol.I: L'Arte cristiana in Italia da Costantino a Giustiniano. L'Alto Medioevo. Torino, UTET 1964, cm.22x29, pp.XII,193, oltre 200 fra ill.e tavv.bn.e col.nt. legatura ed. sopraccop.ill.a col.

Vol.V: Il Tardo Cinquecento. Il Seicento romano. L'arte del Seicento in Italia nelle diverse e più tipiche varietà regionali. Torino, UTET 1966, cm.22x29, pp.XI,325, oltre 300 fra ill.e tavv.bn.e col.nt. legatura ed. sopraccop.ill.a col.

This medium tempo straight-eighth feel work, ""Creature Feature,"" is moody, obtuse, even spooky, and offers an interesting programmatic change. Although originally written for five saxophones (SAATBar), piano, guitar, double bass, and percussion, this arrangement works equally well using the optional parts for a trumpet/flugelhorn and trombone. Arranged by Ramon Ricker. Advance 1994, cm.23x30, fascicoli sciolti in cartella. Saxology

With translations into english in the original metres and short explanatory notes by Digby S.Wrangham M.A. London, Kegan Paul, Trench & Co 1881, cm.13,5x19, pp.VII,278, legatura cartonata.