Le Réalisme.

Parigi, Ed.Librairie Plon 1955, cm.14x19, pp.186, num.ill.bn.e spartiti musicali n.t. brossura Testo in francese.

Avec des documents inédits. Paris, Desclée de Brouwer & C.Ed. 1932, cm.13x20, pp.530, 7 tavv.bn.ft. brossura Coll.Temps et Visages. (firma a penna alla sguardia.).

Paris, Tallandier 1946, cm.14x19, pp.445, brossura intonso. Fioriture in cop. e piccolo strappo alla cop. post., altrimenti esempl. molto buono. Collection Histoire de la Vie littéraire.

Paris, Société Française d'Editions Littéraires et Tecniques 1933, cm.12x18,5, pp.207, brossura (interni ingialliti ma copia ben conservata.) Collection Les Grands Evénéments Littéraires.

Firenze, Sansoni 1932, cm.11x16,5, pp.XI,142, brossura Intonso,

Traduzione di Agostino Villa, illustrazioni di Pierre Estoppey. Ginevra, Edito Service s.d.,ma anni '70, cm.12x20,5, pp.436, legatura editoriale cartonata, fregi e titoli in oro al piatto anteriore e dorso. Coll.I Classici Russi.

Italian and english edition. Milano, L'Archivolto 2007, cm.25x28,5, pp.188, num.figg.a col.nt. legatura ed.soprac.fig.a col. Coll.Zoom. Although relatively short-lived, store window displays are a vital constituent of the daily scenery of today's cities, and offer an important outlet for disciplinary cross-pollination. Store-window design always involves defining a specific message that is conveyed using an array of means, including architecture and set-design, advertising and graphics, multimedia, and at times fine art, with the aim of firing the buyer's imagination while also transmitting a clear brand identity. The constant need for new strategies and visual devices typical of this type of installation entails an unflagging quest for novel ideas, often experimental, which in turn furnish material

Novara, Edipem 1974, cm.13,5x19,5, pp.283, legatura editoriale cartonata. Coll.La Nostra Biblioteca. Classici di Tutti i Paesi in Cento Volumi,82.