Marya Kazoun. Personal Living Space.

Firenze-Siena, 1970. Catalogue Editors: Kyle Meredith Phillips, Anna Talocchini. Firenze, Leo S.Olschki Editore 1970, cm.15x21, pp.79, XLIV tavv.in bn.ft. in append., brossura, cop.fig. English Edition.

London, Royal Academy of Arts, 25 November 1983 - 11 March 1984. Catalogue edited by Jane Martineau and Charles Hope. London, Weidenfeld and Nicolson 1983, cm.21,5x28, pp.413,(3), numerose illustrazioni in bn. nel testo e 96 tavole a colori fuori testo , brossura, copertina figurata a colori.

1830-1980. Staatliche Museen Preusischer Kulturbesitz, Berlin 5/7- 28/9/1980. in der Nationalgalerie. Berlin, Staatliche Museen 1980, cm.22x27, pp.400, num.figg.bn.nt. brossura Testo in tedesco.

Herausgegeben von Gotz Czymmek. Wallraf Richartz Muesum Koln, 6/4-1/8/1990. 1990, cm.24x29, pp.520, num.figg.a col.nt. brossura con cop.fig.a col.

Illustrazioni di Alfred Caton. Paris, Librairie Académique Perrin 1979, cm.13x21, pp.291, illustrazioni in bianco e nero, legatura editoriale in similpelle, titoli in oro al dorso e al piatto anteriore, Nuova edizione riveduta e corretta. Testo in francese.

The life of Frances Chesterton, wife of English author G.K. Chesterton. Foreword by Dale Ahlquist. Charlotte, Acs Books 2015, cm.13x21, pp.266, brossura con copertina figurata a colori. This is a love story. But it is also a detective story. And best of all, it is a true story, told here for the the first time. Gilbert Keith Chesterton was a romantic, a writer of detective tales, and a teller of the truth. His own story and the stories he told are becoming better and better known. But what has remained unknown is the story of the most important person in his life: his wife Frances. Nancy Carpentier Brown has done incredible detective work to uncover the mystery of Frances, tracking a figure who managed to leave very few traces of herself. It is quite likely that as more is discovered about Frances, more biographies will be written of her, and they will be even more complete. But they will all come back to this one.