Splendours of the Gonzaga.

Firenze-Siena, 1970. Catalogue Editors: Kyle Meredith Phillips, Anna Talocchini. Firenze, Leo S.Olschki Editore 1970, cm.15x21, pp.79, XLIV tavv.in bn.ft. in append., brossura, cop.fig. English Edition.

London, Royal Academy of Arts, 25 November 1983 - 11 March 1984. Catalogue edited by Jane Martineau and Charles Hope. London, Weidenfeld and Nicolson 1983, cm.21,5x28, pp.413,(3), numerose illustrazioni in bn. nel testo e 96 tavole a colori fuori testo , brossura, copertina figurata a colori.

1830-1980. Staatliche Museen Preusischer Kulturbesitz, Berlin 5/7- 28/9/1980. in der Nationalgalerie. Berlin, Staatliche Museen 1980, cm.22x27, pp.400, num.figg.bn.nt. brossura Testo in tedesco.

Herausgegeben von Gotz Czymmek. Wallraf Richartz Muesum Koln, 6/4-1/8/1990. 1990, cm.24x29, pp.520, num.figg.a col.nt. brossura cop.fig.a col.

Roma, Il Vittoriale degli Italiani 1940, cm.16x22,5, pp.236, brossura sopraccop.

Milano, Mursia 1973, cm.10,5x19,5, pp.210, brossura. Quaderni del Teatro Stabile di Torino, Quaderno 28.

Princeton, Princeton Univ. Press 2008, cm.16x24, pp.374, legatura ed.in tutta tela,sopraccoperta fig.a col. INTRODUCTION: Mead as American Icon Margaret Mead was the best-known, and most controversial, anthropologist in twentieth-century America. Born in 1901, Mead died in 1978, thus her life spanned the greater part of the period Henry Luce first referred to as “the American century.” It is also the century in which the science of anthropology came to maturity. By the time of her death in 1978, Mead had become a media celebrity and an iconic figure who represented a range of different ideas, values, and beliefs to a broad spectrum of the American public—critics and supporters alike. For many she also came to symbolize the...