Carmassi.

Milano, Gabriele Mazzotta Ed. 1968, cm.15,5,x21, pp.95, 73 figg.bn.e col.nt. legatura ed.sopracop.fig.bn. Testo in francese.

Testi e opere di Antonin Artaud, André Breton, René Char, Salvador Dalì, Robert Desnos, Paul Eluard, Max Ernst, Paul Nougé, Beniamin Péret, E.L.T. Mesens, Roger Vitrac, et al. Testi poetici tradotti da Giacomo Battiato. Milano, Mazzotta 1967, cm.15x21, pp.230, Con 144 illustrazioni in nero, 56 al tratto e 8 pagine a colori. legatura editoriale con sopraccoperta figurata a colori. Coll.Testimonianze,2. (dalla raccolta di Giuliano Ercoli).

Oltre ai testi dei tre Autori,contributi di de Chirico, A. Savinio, F. De Pisis, P. Buzzi, L. Folgore, G. Ravegnani, U. Tommei, G. Papini, G. Raimondi, B. Binazzi, M. Bontempelli. Milano, Gabriele Mazzotta Ed. 1979, cm.15,5x21, pp.384, num.figg.bn.e col.nt. brossura con bandelle, cop.fig.a col. Col.Testimonianze,5.

Paris, Édition Ville Ouverte 2002, cm.30x40, 8 planches en coleur. brossura

Paris,Musée Halle Saint-Pierre. Parris, Editions Atelier Angria 2001, cm.24,5x32,5, pp.151, num.ill.e tavv.bn.e col.nt. legatura ed.cartonata, cop.fig.a col.

New York, Starlog Press 1979, cm.20,5x27,5, pp.98, numerose ill. in bn.e a col.nt., brossura, cop.fig.a colori. [copia in buono stato.] Coll. Starlog Photo Guidebook Series. First edition.

Publisher Sturm & Drang 2016, cm.25x31, pp.120, num.tavv.bn.nt. legatura ed.cop.fig.a col. The first book release by young Swiss photographer Peter Hauser shows his straightforward, analog black and white pictures of nature and urban landscapes that yield a distinctive observation of perceptual phenomena: rectangles float; shadows fall into hard-edge shapes; surfaces reveal patterns and unlikely grids. Photographer Edward Weston drew a distinction between making pictures to learn about the world and those that impose a vision upon it. It was his intention to make pictures, he once said, not as “an interpretation, a biased opinion of what nature should be, but a revelation — an absolute, impersonal recognition of the significance of facts.”. Peter Hauser's work is subscribing to this mantra.