Moscou.

Raccolte a cura di Angelo Solerti. Introduz.di Vittore Branca. Postfaz.di Paola Vecchi Galli. Firenze, Le Lettere 1997, cm.10,5x16,5, pp.30,XXXVI,425, legatura editoriale cofanetto Ristampa anastatica dell'ediz.Firenze,1909. Ediz.num.in 999 copie.

Bologna, Due Torri 1979, cm.25x30, pp.164, 47 tavv.bn.nt.e ft.,55 figg.a col.e 11 dis legatura ed.,soprac.fig.a col. Coll.Italia.

Riproduzione del testo originale Lipsia,1847. Aicurzio, Gruppo Ed.Castel Negrino 2006, cm.17x24, pp.1040, brossura Coll.I Mentori.

Firenze, Olschki Ed. 2018, cm 17 x 24, x-152 pp. con 32 tavole fuori testo a colori, brossura Biblioteca dell''«Archivum Romanicum». Serie I: Storia, Letteratura, Paleografia,484. Testo in Inglese. Titian designed author portraits for Pietro Aretino’s books, painted five known independent portraits, and two portraits in narrative paintings. All of these were done for specific persons in particular circumstances with intentions varying greatly in purpose and complexity. This study reconstructs these contexts as fully as possible, showing how contexts determine the concept of each portrait and enhance appreciation of Titian’s artistry in revealing different aspects of Aretino’s personality and character.