Ballo Italiano. 4.Valzer,Mazurche,Polche,Tanghi, eccetera.

A cura di G.Semerano. Firenze, Sansoni Ed. 1960, cm.18x25, pp.276, 25 facsimili. brossura Collana Biblioteca Bibliografica Italica,23. Ediz.num.in 666 esemplari.

Redaz.a cura dell'Ist.di Storia dell'Arte dell'Univ.di Firenze. Coordinam.redaz.di C.De Benedictis. Firenze, Sansoni Ed. 1984, cm.17x25, pp.622, 200 tavv.bn.ft. legatura ed.sopracop.

A cura di Piero Gadda Conti. Firenze, Sansoni Ed. 1960, cm.17x24, pp.210, brossura con cop.con bandelle. Collana Quaderni di San Giorgio,22.

A cura di Piero Gadda Conti. Firenze, Sansoni Ed. 1965, cm.17x24, pp.164, brossura Collana Quaderni di San Giorgio,24.

London, Sir Isaac Pitman & Sons s.d.(1912?), cm.12x18,5, pp.X,129,(1)+ 16 di pubbl. ed., una tav. a colori all'antiporta, 17 tavv. fotogr. e una cartina in bn. ft., legatura ed. in tutta tela, titoli al piatto ant. e al dorso. Common Commodities and Industries Series.

Firenze, Olschki Ed. 2021, cm 17 x 24, 66 pp. con 3 tavv. f.t. a colori, brossura The Annual Balzan Lecture,10. In 2016 the United Nations launched the Sustainable Development Goals as a “universal call to action, to end poverty, protect the planet, and ensure that all people enjoy peace and prosperity.” Among the key elements of these Goals are food security, sustainable livelihoods, and social inclusion. However, little attention has been paid to the institutions needed to deliver these Goals. In the tenth Annual Balzan Lecture, Bina Agarwal, 2017 Balzan Prizewinner for Gender Studies, argues that the institutional transformation of agriculture is essential for increasing farm productivity, improving farmer welfare, and enhancing gender equality. In particular, she draws attention to the need for a model of farming that transcends the small family farms that dominate agriculture globally. Agarwal has been researching this issue for several years, and her Balzan Prize is funding a research project that further extends this work. The tenth Annual Balzan Lecture presents some aspects of these findings.

Sous la direction de Fabrice Hergott. Préface Dominique Bozo. Musee national d'art moderne, 1992, Centre Georges Pompidou 1992, cm.28x28, pp.255, brossura con copertina figurata a colori. Bernard Dorival, C'est le fantastique de la réalité -- François Chapon, Les débuts d'une amitié : Georges Rouault et André Suarès -- Siegfried Gohr, Rouault et Cézanne. La méthode picturale -- Danielle Molinari, Les premiers collectionneurs de Georges Rouault -- Margrit Hahnloser-Ingold, L'accueil de Rouault en Suisse : témoignage d'une amitié -- Anne Lajoix, Rouault céramiste -- Fabrice Hergott, Le premier Rouault -- Anne-Marie Zucchelli Chronologie et témoignages -- Gustave Moreau, Georges Rouault Correspondance (1892-1898) Présentation par Geneviève Nouaille-Rouault Le jeune Rouault dans l'atelier de Moreau par Cristina Scassellati -- Jacques Maritain, Préface au catalogue de l'exposition de peintures et de céramiques, Paris, galerie E. Druet, 1910 -- Jacques Rivière, Une exposition de Georges Rouault, 1910 -- Gustave Kahn, Georges Rouault, 1912 -- Gustave Coquiot, Georges Rouault, 1914 -- Michel Puy, G. Rouault et son oeuvre, 1920 -- André Salmon, Georges Rouault, 1920 -- André Lhotc, G. Rouault, 1923 -- Jacques Maritain, Georges Rouault, 1924 -- Waldemar George, Georges Rouault, 1924 -- Carl Einstein, Georges Rouault, 1925 -- Pierre Courthion, Rouault, 1927 -- André Malraux, Un homme qui est. Notes sur l'expression tragique en peinture, 1929 -- Marcel Arland, Sur Georges Rouault, 1931 -- Bernard Doriva, -- Préface au catalogue de l'exposition Georges Rouault.