Raffaello.

Bergamo, Istituto D'Arti Grafiche 1948, cm.22,5x25, pp.82, 144 tavole bn.in rotocalco e 2 tricromie, legatura editoriale in tutta tela. Coll.I grandi artisti italiani"" diretta da R. Pallucchini.

Commento alle illustrazioni di Ugo Procacci. Firenze, Giunti Barbera 1978, cm.23,5x32, pp.CXXIV, 20 figure a colori e 5 tavole a colori a piena pagina legatura editoriale con sopraccoperta figurata. Testo in francese.

Philadelphia, J.B.Lippincott Co. 1967, cm.14x21, VIII-430, legatura ed.sopracop.

With an unpublished essay by Frederick May. Sydney, Frederick May Foundation for Italian Studies 1996, cm.14,5x21, pp.259, brossura cop.fig. Testo in inglese.

London, V&A Publications 2006, cm.25x33,5, pp.212, numerose illustraz. a colori nel testi, brossura, copertina figurata a colori. Testo Inglese. In this fascinating study Martin Kemp illuminates the most fundamental aspect of Leonardo's work - how he thought visually. The pages of his notebooks teem with ideas and are unparalleled in the graphic work of any other thinker from any age. Extraordinary images from a wide variety of sources, some virtually unknown, are illuminated by large-scale models and sequences of innovative computer graphics designed to animate his thoughts. Leonardo never lost his awe of the wonders of natural design and this ground-breaking book communicates a comparable sense of wonder through the continued grandeur and freshness of Leonardo's incomparable vision.