Concerto No. 4 in D minor, Opus 31.

Prefaz.di Luc Decaunes. Traduzione di Libero Sosio. Milano, Feltrinelli Economica 1972,1980, cm.11x18, pp.139, brossura, cop.fig. Eccellente esempl. Coll.Universale Economica,658.

Poesie. Torino, Fogola Editore 1978, cm.16,5x23,5, pp.133, numerosi disegni a colore nt. brossura. Coll.La Torre D'Avorio. Album,1.

Firenze, Olschki Ed. 2018, cm 17 x 24, x-152 pp. con 32 tavole fuori testo a colori, brossura Biblioteca dell''«Archivum Romanicum». Serie I: Storia, Letteratura, Paleografia,484. Testo in Inglese. Titian designed author portraits for Pietro Aretino’s books, painted five known independent portraits, and two portraits in narrative paintings. All of these were done for specific persons in particular circumstances with intentions varying greatly in purpose and complexity. This study reconstructs these contexts as fully as possible, showing how contexts determine the concept of each portrait and enhance appreciation of Titian’s artistry in revealing different aspects of Aretino’s personality and character.

Milano, Armenia 1977, cm.12x20, pp.123, brossura copertina figurata a colori.