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#331497 Arte Pittura

Marino Marini e il teatro.

Author:
Curator: Pistoia, Museo Marino Marini, 22/03-31/08/2003.
Publisher: Fondazione Marino Marini.
Date of publ.:
Details: cm.21x21, pp.47, illustrazioni a colori nel testo, brossura con copertina figurata a colori.

ConditionsUsato, come nuovo
EUR 7.00
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Centro di Cultura di Palazzo Grassi,Venezia. Firenze, Sansoni Ed. 1981, cm.21x25, pp.409, 332 illustrazioni bn.e a colori anche a piena pagina, brossura, sopraccoperta figurata a colori.
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Firenze, Biblioteca Medica Laurenziana, 4/2-15/04/1984. Prefazione di Giulio Carlo Argan. Firenze, Centro Di Ed. 1984, cm.22x24, pp.214, numerose illustrazioni bn.e a colori nel testo molte a p.pagina, brossura copertina figurata a colori.

EAN: 9788870380804
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Venezia, Palazzo Grassi, 30/9-22/10/1978. A cura di Marco Semenzato. Venezia, Azienda Automoma di Sogiorno e Turismo di Venezia 1978, cm.20x21, pp.328, illustrazioni bianco e nero e a colori nel testo, brossura con copertina figurata a colori. Collana Mostra Mercato Internazionale dell'Antiquariato.
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#8412 Arte Pittura
With three hundred illustrations. London, The Phaidon Press Ltd. 1950, cm.19x27, pp.414, 327 tavole bn.nt., 8 a col.e ft.e 1 ripieg.b legatura editoriale in tutta tela.
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A cura di Luigi Russo. Bari, Gius.Laterza & Figli 1954, cm.14x21,5, pp.387, brossura [copia in ottimo stato]. Collana Scrittori d'Italia,205.
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#333101 Arte Pittura
Munich, Prestel 2004, cm.24x32, pp.160, 170 illustrazioni a colori, legatura editoriale con sopraccoperta figurata a colori, in custodia. Edizione inglese. Illustrations, Goya's own words and an informative text create a portrait of this visionary artist who chronicled the Spain of his day with a keen insight and a critical eye. From his early years as an aspiring painter producing religious frescoes and designing light-hearted tapestry cartoons for the royal court, Goya became an increasingly cynical and mordant critic of the prevailing social mores the older he became. He maintained a precarious balance between his official status as court painter and the subversive content of his works, while at the same time paving the way towards modernism. "The world is a masquerade. Face, dress and voice, all are false. All wish to appear what they are not. All deceive," reads the caption to one of the etchings in Goya's famous Caprichos cycle that reveals not only the vanity of humankind, but also the arbitrary wielding of power by the monarchy and aristocracy. Yet beauty, too, has its place in Goya's oeuvre, from his Naked Maya, arguably the most famous Spanish woman of all time, to his seductive portraits of the capricious Duchess of Alba, whose fickleness he was to experience at first hand when he became her lover. This book conveys more than the fascination of Goya the artist. Above all, it portrays an individual whose chequered life in turbulent times still has the power to grasp our imagination.

EAN: 9783791330716
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