Hildegard Jaekel. Variationen Des Alltaglichen. (Variazioni del quotidiano).

Landesmuseum, 23-25/06/2005. A cura di M.Picone e L.Rubini. Firenze, Olschki Ed. 2007, cm.17x24, pp.XIV-528, 6 figg. nt. brossura Collana Biblioteca dell'Archivum Romanicum. Serie I,341. Nei 25 saggi qui raccolti il lettore troverà un'ampia e approfondita trattazione delle principali problematiche collegate con la formazione e diffusione di questo genere narrativo nell'Italia fra Tre e Cinquecento, con escursioni fino al Novecento. Vengono in particolare focalizzate le questioni afferenti alla performance canterina, ai rapporti con i generi affini (come la sacra rappresentazione e il poema cavalleresco), alle fonti letterarie o folkloriche, e alla circolazione orale o a stampa dei testi. The twenty-five incisive essays treat a broad range of topics from the development and diffusion of the cantare in Italy in the fourteenth and sixteenth centuries to its survival in modern culture. More particularly, the focus is on questions such as the performance of the cantare, its ties with similar genres (namely liturgical drama and the chivalric epic), its literary and folkloric sources, and its circulation in both oral and printed forms.

Firenze, Palazzo Corsini, 22 Settembre - 7 Ottobre 2001. Torino, Umberto Allemandi & C. 1999, cm.21,5x28,5, pp.XXX,260, numerose tavole a colori con didascalie in it.e in eng. nel testo legatura editoriale copertina figurata.

Edited by Arnold Glimcher and Marc Glimcher. London, Royal Academy of Arts. 1986, cm.23,5x30, pp.348 ill. brossura copertina figurata a colori. The Sketchbooks of Picasso is the only collection available of the private sketchbooks of Pablo Picasso, which he began in Barcelona in 1894. For more than seventy years, as the young painter blossomed and matured into the greatest artist of the twentieth century, he kept a record of his ideas and thoughts, so that by 1964 there were 175 sketchbooks, a unique and startling picture of the mind of a genius at work. Accompanying the major sections are essays by six of the greatest American art historians: E.A. Carmean, Sam Hunter, Rosalind Krauss, Theodore Reff, Robert Rosenblum, and Gert Schiff. A foreword by Claude Picasso, the artist's son, and a reminiscence by Francoise Gilot, Claude's mother, provide a more personal understanding of the part the sketchbooks played in Picasso's life.