Il sofà di Luca Goldoni.

Milano, Rizzoli 1993, cm.14x21, pp.232, legatura editoriale cartonata con sopraccoperta figurata a colori.

Milano, Rizzoli Ed. 1996, cm.13x20, pp.202, brossura cop.fig.a col. Coll.BUR Supersaggi.

Milano, Club degli Editori su licenza Mondadori 1980, cm.14x21,5, pp.189, legatura editoriale con sopraccoperta figurata a colori.

A cura di Miria Mazzatti. Milano, Rizzoli 1999, cm.21,5x29, pp.160, num.ill.e tavv.bn.nt. legatura editoriale cartonata., sopraccoperta figurata a colori.

Fotografie di Raffaello Bencini. Firenze, Cantini Ed. 1986, cm.24x31, pp.238, 178 tavv.e figg.bn.e col.nt. legatura ed.in tutta tela, sopracop.fig.a col.

Florida, Sarasota, The John and Mable Ringling Museum of Art, 18/12/1981-28/3/1982. A cura di Cynthia Duval. Sarasota, The John and Mable Ringling Museum of Art Foundation 1981, cm.21,5x28, pp.173, num.figg.bn.nt. brossura cop.fig.a col.

Text by Jody Clowes. Chazen Museum of Art 2007, cm.22x28, pp.124, ill.col. brossura copertina figurata a colori. Chazen Museum of Art Catalogs. The history of contemporary American metalsmithing is inextricably linked with the academy. Since the 1950s, nearly every significant artist working in metals has trained at a university or art school—fertile ground for innovation and exploration in metalsmithing and jewelry making. The University of Wisconsin-Madison's metals program is among the best in the nation, founded on the teaching legacy of Fred Fenster and Eleanor Moty, who instilled in their students a profound respect for craftsmanship, technical innovation, formal integrity, and thoughtful design. The work in this catalogue encompasses hollowware and jewelry, wearable sculpture, poetic and narrative objects, and conceptual installations. The show at the Chazen Museum of Art was produced by guest curator Jody Clowes

Introduzione di John Culme. Norwich, Colman Foods 1979, cm.17,5x20, pp.143, con numerosissime illustrazioni e foto in bianco e nero. Brossura copertina figurata a colori.