Plutarchus et Appianus de Bellis Mithridaticis. Specimen litterarium inaugurale.

all'estetica. Torino, F.lli Bocca 1926, cm.12x19,5, pp.312, rilegato Piccola Bibl.di Scienze Moderne 323.

Disponiamo: vol.193,1960,année 119,pp.1099, vol.194,1961,année 120,pp.1165, vol.198,1965,année 124,pp.1307, vol.199,1966,année 125,pp.1244, vol.200,1967,année 126,pp.1378, vol.201,1968,année 127,pp.1319, vol.202,1969,année 128,pp.1375, vol.203,1970,année 129,pp.1171, vol.204,1971,année 130,pp.1470, vol.205,1972,année 131,pp.1494, vol.206,1973,année 132,pp.1050, Paris, Doin Editeur, cm.17,5x24,5, num.ill.bn.nt.ed in alcuni vol.tavv.a col.ft. Ciascun annata è rilegatura in vol.in mz.pelle,con titoli in oro ai dorsi, Ciascun vol.

Trieste, Edizioni e. 2008, cm.14x22, pp.366, brossura con cop.fig.col.

2rd Revised Edition. New Haven, Yale University Press 1987 cm.14,5x21, pp.684, paperback. Collana Pelican History of Art. Edizione inglese The 14th century in Italian art is a very rich one, and Professor White's book gives architecture equal weight with painting and sculpture. The story of the Gothic style and the prehistory of the Renaissance is given: all the facts are related, but also the works of art are described with insight and for their own sakes, and not simply as data for fitting into schemes and theories. Among the great names are those of Arnolfo di Cambio, the Pisani, Cavallini, Cimabue, Duccio, Giotto, Simone Martini, and the Lorenzetti; among the buildings S. Croce, S. Maria Novella, the cathedral and the Palazzo Vecchio in Florence, and the cathedrals of Siena, Orvieto, and Milan, as well as churches, castles, and civic buildings from the Val d'Aosta to Sicily. The third edition of this work includes colour illustrations and incorporates textual revisions and an updated bibliography.