I proemi degli Annales di Ennio: programma letterario e polemica.

Amsterdam, Adolf M. Hakkert 2005, cm.17x25, pp.359, brossura.

Avan propos de Claude Moatti. Roma, Ecole Française de Rome 1998, cm.17x24, pp.444, brossura con bandelle. Collection de l'École Française de Rome,243. Articles: - Les Livres Sibyllins et les archives des quindécemvirs - Les archives des petits collèges. Le cas des vicomagistri - The Books of the pontifices - Les documents sacerdotaux du collège sacris faciundis - Documenting Roman religion - Les livres auguraux - Forme diplomatique et pratique institutionnelle des Commentarii Augustorum - Distribuzioni di grano e archivi della polis : il caso di Samo - Les ventes de grain public dans les cités grecques aux périodes classique et hellénistique - Les archives de l'administration du blé public à Rome à travers le témoignage des inscriptions - L. Plotius Liberalis, ingenuus frumento publico - Archives municipales et distributions alimentaires dans l'Égypte romaine - Contrôle des prix du grain à Rome et dans les cités de l'Empire - Problems of transport and storage of goods for distribution : les traces oubliées - Archives used with or by corpora, working for the annona of Rome and Constantinople - Roma e il vino nord-italico - Registri dei beneficiari e modalità delle distribuzioni nella Roma tardoantica - L'utilisation d'archives annexes pour les distributions de blé

Introduz. e note di Giuseppe Raniolo. Terza edizione. Firenze, Casa Ed.Le Monnier 1957, cm.15,5x20,5, pp. 316, alcune tavv.bn.ft. brossura

Milano. Sinfonica 2002, cm.22,5x30,5, pp.48, fascicolo spillato. CD in allegato

Tate Gallery 1991, cm.21x27, pp.312, brossura, copertina figurata a colori. Edizione inglese This record of the collections of one of the world's great art museums has more than 300 colour reproductions, accompanied by a detailed commentary. Each of the 37 sections is introduced by a brief illustrated essay, followed by individual discussion of up to five major works. The text covers five centuries of British and international art. It treats the present as continuous with the past, giving equal attention to the work of the historic old masters, that of the established masters of the modern era, and the more controversial achievements of the most recent generations of artists.