Cobra. Viaggio in India.

Milano, Garzanti 1951, cm.14x21,5, pp.328, brossura sopraccoperta. Prima edizione.

Milano, Bompiani 1942,1943, cm.12x20,5, pp.260, brossura

Verona, Mondadori 1966, cm.23,5x31, pp.circa 130 di tavv.fotogr.in bn., legatura ed.in tutta tela, sovraccop.fig. Ottimo esempl.

Introduz.di Piero Raimondi. Milano, Mondadori Ed. 1978, cm.11x18, pp.XIII,169, tascabile,cop.ill.a col. Coll.Gli Oscar,L270.

Milano, Casa Artistica Nuova Era 1934, cm.13x19,5, pp.57,(3), brossura, cop.con bandelle. Dedica autogr. dell'A. al pittore Giacomo Bront.

Trieste, Cassa di Risparmio di Trieste 1967, cm.22x29,8, pp.XVIII,(2),469,(3), alcune ill. in bn.nt. e tavv. a col. e in bn.ft. di cui 2 ripiegate, legatura ed.in tutta tela, titoli al dorso, sopraccop.fig. a colori, cofanetto muto. (minimo strappetto al dorso della sopraccoperta.) Volume edito in occasione del CXXV anniversario della fondazione della Cassa di Risparmio di Trieste.

Pimlico 1997, cm.19x24,5, pp.498, brossura copertina figurata a colori. This fresh penetrating and beautifully illustrated study is part history, part guide and part celebration. Michael Levey surveys the physical evolution and enhancement of Florence over the centuries, from medieval republican times to the beginning of the nineteenth century. While discussing artefacts of all kinds - a cameo or reliquary no less than great buildings and other major works of art -he also considers some of the chief personalities who have contributed to the physical appearance of the city we see today. Renaissance Florence is a familiar phenomenon, given its due place in stimulating, detailed discussion here. But much less well known is the city which developed onwards from the late sixteenth century, which the author warmly champions, with its own great, sometimes opulent artistic achievements. In this magnificent book, the famous and apparently familiar emerges with new vividness and clarity to

Stoccarda, Akademischer Verlag 1979, cm.16x22, pp.266, brossura.