Raccolta Max Frisch. Don Juan oder Die Leibe zur Geometrie-Graf Oderland-Wilhelm Tell fur die Schule -Fruhe Stucke-Erzahlungen des Anatol Ludwig Stiller.

Trad dal tedesco di Aloisio Rendi. Milano, Feltrinelli Ed. 1985, cm.12,5x19,5, pp.176, brossura con cop.fig.a col. Collana Impronte.

Frankfurt am Main, Suhrkamp Verlag 1978, cm.16,2x25, pp.114,(2), brossura, cop.muta, sopraccop. applicata al dorso.

Traduz. di Enrico Filippini. Torino, Einaudi 1973, cm.11,5x19,5, pp.87,(9), brossura con copertina figurata. Collana Nuovi Coralli,52. Prima ediz. italiana.

Frankfurt am Main, Suhrkamp Verlag 1960, cm.16x24, pp.441,(7), legatura ed. in tutta tela, titoli in oro al dorso. (Dorso un po' insolato; minima lacuna della tela al piatto posteriore.) Sammlung Suhrkamp Hausbuch, 1.

London, National Gallery 2016, cm.23x28, pp.112, num.figg.a col.nt. brossura con cop.fig.a col. [volume nuovo] Visions of Paradise showcases new scholarly research on the monumental Palmieri Altarpiece by Francesco Botticini (1446–1498). The painting, which depicts the Assumption of the Virgin, was made for the funerary chapel of the Florentine citizen Matteo Palmieri (1406–1475). Palmieri was a true “Renaissance Man”—an associate of the Medici and a humanist, whose career encompassed a variety of roles, as diplomat, poet, writer, and apothecary.