Il dibattito sull'economia nell'ambito del marxismo.

Coll.diretta da C.Napoleoni. Torino, Loescher 1980, cm.12,5x19,5, pp.480, brossura con copertina figurata. Collana Economia Politica.

La Spezia, Fratelli Melita ed. 1990, cm.14x21, pp.247, brossura con cop.fig.a col. Collana Il Potere del Serpente.

Tavole a col.di Massimo Brandani. Milano, Editrice Militare Italiana 1987, cm.18,5x25, pp.88, numerose tavole in bn.e a colori nel testo , brossura, copertina figurata a colori Stato di nuovo. Collana De Bello,06. Ediz.bilingue (italiano, inglese).

Koln, Taschen 2018, cm.29,5x28, pp.208, legatura editoriale cartonata, sopraccoperta figurata a colori. In 2018, London’s Hyde Park was home to Christo and Jeanne-Claude’s latest installation: The Mastaba (Project for London, Hyde Park, Serpentine Lake). The temporary sculpture took cues from mastabas of the first urban civilizations of Mesopotamia, which were mud benches with two vertical sides, two slanted sides, and a flat top. Towering at 20 meters high, its 600 metric tons anchored to the Serpentine Lake, this waterborne project gathered 7,506 painted oil barrels to create a floating mosaic of red, white, blue, and mauve. The most ambitious of Christo and Jeanne-Claude’s barrel works to date, The London Mastaba is a precursor to the duo’s work in progress The Mastaba (Project for Abu Dhabi, United Arab Emirates). First conceived in 1977, The Mastaba for Abu Dhabi, if realized, would be Christo and Jeanne-Claude’s greatest achievement and only permanent large-scale work. Situated in the desert and made of 410,000 multicolored barrels, the 150-meter-high sculpture would be the largest in the world, rising higher than the Great Pyramid of Giza. Designed by Lorenza Giovanelli and Christo, this book gathers drawings, collages, technical data, scale models?many published for the first time?and photographs by Wolfgang Volz to trace Christo and Jeanne-Claude’s 60-year history of barrel artworks.

A cura di Francesca Sassu. Ospedaletto, Pacini Editore 2025, cm.23x30, pp.256, illustrazioni a colori. brossura. Collana Architettura. Testo Inglese. Le comunità e i territori rurali hanno qualcosa da insegnare a chi vive oggi nelle metropoli del mondo? E viceversa, un artista metropolitano può aprire nuove prospettive agli abitanti di un piccolo paese? Queste domande, speculari e complementari, hanno portato alla nascita in Sardegna del progetto Nocefresca, che, invitando al dialogo artisti di diverse culture e abitanti delle aree rurali dell'isola, ha fatto emergere un alfabeto comune, fatto di immagini, colori, segni, suoni, pensieri ed emozioni attivati dall'esperienza di Milis, un piccolo centro sardo in provincia di Oristano. Do rural communities have something to teach those living in the world’s metropolises today? And vice versa, can a metropolitan artist open new perspectives for the inhabitants of a small town? These complementary and reciprocal questions led to the birth of the Nocefresca project, inviting artists from diverse cultures to engage in dialogue with residents of rural Sardinian areas, thereby uncovering a common alphabet composed of images, colours, signs, sounds, thoughts, and emotions inspired by the experience of Milis: a small village located near the West Coast of the island of Sardinia, in Italy.