Primo Conti.

London, Frederick Warne and Co. 1868, cm.11,5x17, pp.XII,628, rilegatura coeva in mz.pelle, piatti marmorizz., titoli e filetti in oro al dorso. (segni d'uso a piatti e dorso, cerniera post.interna distaccata. piccola dedica a penna al frontesp. Qualche fioritura agli interni.)

Wellington-Auckland-Sydney, A.H. & A.W. Reed 1966, cm.29,5x35, pp.23,(1), 56 tavv. a col. applicate e alternate a disegni in bn. leg.ed.in t.tela grezza, titoli in oro al piatto ant. e al dorso, sopraccop.fig.a col. (piccole mende alla sopraccop. ma bell'esemplare.) McIntyre was one of his country's finest artists. He journeyed in a wide loop that included Fiji, Tahiti, Mexico, Hawaii, Japan, Taiwan, Hong Kong, Thailand, Australia, New Guinea, New Zealand & Antarctica. As he travelled he painted; and his palette and technique responded with vitality and delight to the people and the places he encountered.

Ediz. inglese, francese e tedesca. Koln, Taschen 2004, cm.29,5x45,5, pp.550, hardcover. Dustcover. Coll.Extra large. his spectacular compilation of elevations, representing a superb collection of Etruscan, Greek, and Roman vases, is the fruit of a collaboration between Lord William Hamilton (1730-1803), British diplomat and collector, and Hugues d'Hancarville (1719-1805), an amateur art dealer. While working as an envoy to the British Embassy in Naples, Hamilton developed a keen interest in antiquity, visiting the excavations of Pompeii and Hercolano and publishing the first scientific essays on volcanology. His friend d'Hancarville Introduced him to the Porcinari family, whose collection of vases Hamilton purchased in its entirety, and helped Hamilton seek out additional Items to augment his collection. In 1772, Hamilton sold his collection to the British Museum; before the invaluable pieces were shipped off to England (and half lost in a shipwreck), d'Hancarville commissioned elevations depicting the vases in great detail. These drawings were published in four volumes known as Les Antiquities d'Hancarville. Contemporary sets of these rare volumes fetch prices of up to 80,000 euros at auctions; we have borrowed a fine copy from the Weimar Library to reproduce in exacting detail so that modern readers can experience the same drawings that sparked Britain's Interest in classicism and inspired reproductions from pottery manufacturers such as Wedgeworth.

A cura di Fiorenzo Forti. Asti, Casa d'Alfieri 1953, cm.17x25, pp.430, brossura con sovracopertina. Coll. Opere di Vittorio Alfieri,10.