La compagnia dei SS. Sebastiano e Rocco a Barberino di Mugello.

Firenze, Libreria Editrice Fiorentina 1976, cm.15x21, pp.190, 7 figg.bn.alcune a p.pag. brossura cop.fig.

Ediz.a cura del parroco di S.Michele a Monteripaldi. Firenze, Ediz.Libreria Fiorentina 1970, cm.15,5x21, pp.120, 3 tavv.bn.ft. brossura cop.fig.

A cura di Gilberto Aranci. Firenze, Pagnini Ed. 1998, cm.17x24, pp.141, alcune figg.bn.nt. brossura cop.fig.a col. Coll.Chiese e Popoli,1.

Firenze, Tipografia Idealpress 1980, cm.17x24, pp.85, 7 tavv.in bn.nt., brossura, cop.fig.a col. Ottimo esemplare.

Firenze, Giunti 1971, cm.11x19, pp.166, brossura cop.fig.a col. Coll.Praemium. Seconda edizione.

Roma, Melusina Editore 1990, cm.14x21, pp.128, brossura copertina figurata a colori. Collana Le Stanze di Melusina.

Thames & Hudson 1989, cm.15x21, pp.256, 231 illus., 50 in color. Paperback. Coll. World of Art. Surrealism was a revolution. Unlike other modern movements such as cubism and geometrical abstraction, it was not based purely on artistic innovation; its aim was nothing less than the liberation, in art and in life, of the resources of the subconscious mind. Sarane Alexandrian traces the development of surrealism from its origins in the Dada anti-art revolt of 1916-1920 to the death of its guiding spirit, Andre Breton, in 1966, which marked the end of its existence as a formal entity. The author discusses and illustrates an astonishing variety of surrealist artists, including not only such giants of the movement as Dali, Miro, Duchamp, Tanguy and Magritte, but a host of other remarkable talents.

Traduzione di Reanata Caruzzi. Con testo di Robert Musil. Testo in Austriaco e in Italiano in fronte. Trieste, Beit 2017, cm.12x19,5, pp.158, brossura con bandelle e copertina figurata a colori. Coll.Classici.