In lingua inglese

London, W.H. Allen / Virgin Books 1987, cm.16x24, pp.287, legatura editoriale, sopraccoperta. Testo in inglese.

Instructions and considerations for the frequent reception of the Sacrament of penance. Dublin, Houston, Four Courts Press - Lumen Christi Press 1984, cm.14x21, pp.189, brossura. Testo in inglese. Here is strong, convincing evidence that frequent reception of the Sacrament of Penance is one of the most reliable paths to spiritual growth. Author Benedict Baur explains the purpose of frequent Confession, outlines the essential elements of every good Confession, and shows how frequent Confession can help you conquer sin (including venial sin), imperfections, self-love, and lukewarmness. On the positive side, he details how frequent Confession will improve your prayer life and give you growth in sacramental grace, fear of God, love of Christ, fraternal charity - and much more.

Ospedaletto, Pacini Editore 2015, cm.10,5x18, pp.130, illustrazioni. brossura. Collana Piccola Biblioteca Pacini, 2. Testo Inglese.

A cura di R.W. Chapman. Revisione di J.D. Fleeman. Inrtoduz.di Pat Rogers. Oxford, Oxford University Press 1980, cm.11x19, pp.1492, brossura, copertina figurata a colori. Collana The World's Classics. Testo in inglese. “Samuel Johnson was a poet, essayist, dramatist, and pioneering lexicographer, but his continuing reputation depends less on his modest literary output than on the fortunate accident of finding an ideal biographer in James Boswell. Surely no other biographer can have had more devotion to his subject, more opportunity to study him, or more talent in bringing him vividly to life than Boswell in his Life of Johnson. As Johnson’s constant and admiring companion, Boswell was able to record not only the outward events of his life, but also the humour, wit, and sturdy common sense of his conservation. His brilliant portrait of a major literary figure of the eighteenth century, enriched by historical and social detail, remains a monument to the art of biography.”

Tate Gallery Pub 1992, cm.23x30, pp.230, brossura, copertina figurata a colori Edizione in inglese Now recognized as one of Germany's most important 20th-century painters, Dix, along with George Grosz, developed the New Objective style of depicting modern life i.e., stripped of superficial appearances and revealing shocking truths which he applied in particular to subject matter associated with the First World War and Wiemar Germany. This volume, published for a full retrospective exhibition at the Tate Gallery during 1992, includes 130 works (180 illustrations, 134 in color) in addition to essays covering Dix's achievements as well as many aspects of the political and social climate in Germany.

London, Thames and Hudson 1960, cm.18x24, pp.144, numerose illustraz. bianco e nero nel testo, legatura editoriale in tutta tela blu, Testo in inglese.

Edited by Marino Barovier e Carla Sonego. Milano, Skira 2019, cm.28,5x30,5, pp.480, 1000 illustrazioni a colori. legatura editoriale cartonata, sopraccoperta figurata a colori. Testo Inglese. English text. American artist Thomas Stearns (1936-2006) collaborated with the legendary Venini glassworks as a guest designer between 1960 and 1962. Stearns was the first American to design for Venini; he won a Fulbright Travel Grant, left Cranbrook Academy and showed up in Murano with plenty of new ideas for elegant, irregular blown-glass pieces (but absolutely no knowledge of the Italian language). Stearns' groundbreaking designs, characterized by asymmetrical forms and bold blocks of color, won the "Best of Show" award at the 1962 Venice Biennial, but proved too difficult to put into mass production-inadvertently preserving them as precious, limited-edition art objects.The latest in Skira's series of monographs on 20th-century glass, Thomas Stearns at Venini tells the fascinating story of Stearns' collaboration with the venerable Italian glassworks. An essential volume for collectors, scholars and dealers, the publication catalogs all of Stearns' production at Venini.

Editeb by Marino Barovier e Carla Sonego. Milano, Skira 2018, cm.29x31, pp.559, illustrazioni a colori. legatura editoriale cartonata, sopraccoperta figurata a colori. Testo Inglese. Text in english. A new publication in the series "Le Stanze del Vetro", a project for the study and enhancement of Venetian glassmaking in the 20th century, from a collaboration between the Fondazione Cini and Pentagram Stiftung. This volume accompanies the fall exhibition in Venice dedicated to the history of master glassmaker Muranesi Cappellin & C. (which Giacomo Cappellin founded after breaking with Paolo Venini and the V.S.M. Cappellin Venini & C.) to become one of the most important glass companies thanks also to its collaboration with a young architect, Carlo Scarpa. The vast production ranges from transparent glass to milky glass with gold, or glass paste and cased glass, or Phoenician decorations and figures, animals and plants; plus important lighting works. The entire output of Cappellin is documented (open from 1925 to 1931), placing the spotlight above all on the contribution of the major architect and glass designer Carlo Scarpa, his work during the 1920s and his relations with the arts. The book also discusses the production and exhibitions of Cappellin in Paris and the United States, relations established with artists in Turin and its very unique glass productions. Edited by Marino Barovier, this volume includes the catalogue of the complete works by Carlo Scarpa for Cappellin and is an indispensible tool for collectors, scholars and art dealers.

Edited by Filippo Maggia and Nobuyoshi Araki. Milano, Skira 2019, cm.24x30, pp.200, 320 illustrazioni a colori. legatura editoriale cartonata, sopraccoperta figurata. Testo Inglese. The essential images from the legendary Japanese photographer at work from the sixties to the present, Nobuyoshi Araki.

Milano, Palazzo Reale, 10 aprile - 12 maggio 2019. A cura di Ferruccio Laviani e R. Selvaggio. Milano, Skira 2019, cm.19,5x26, pp.160, 105 illustrazioni a colori. legatura editoriale copertina figurata a colori. Collana Design e Arti Applicate. Testo Italiano e Inglese. Il racconto di settant'anni di Kartell, impresa protagonista nel design e nella cultura del progetto che ha sempre sviluppato una relazione molto significativa con il mondo dell'arte e del pensiero creativo. "The Art Side of Kartell" indaga la relazione tra Kartell e il mondo dell'arte. Un mondo che si è sempre, fin dagli esordi, avvicinato al marchio essendo l'evoluzione dell'arte, per certi versi, speculare all'evoluzione di Kartell. Attraverso un percorso narrativo che include alcuni dei capitoli più importanti della produzione Kartell, si raccontano i cambiamenti della nostra società durante sette decenni, parallelamente all'evolversi delle varie correnti artistiche del '900 fino ai nuovi linguaggi espressivi contemporanei. Come spiega Ferruccio Laviani nel suo saggio "oggi, attraverso l'intera produzione Kartell, possiamo vedere come in uno specchio i cambiamenti della nostra società durante sette decenni: oggetti come la lampada KD 51/R di Achille e Pier Giacomo Castiglioni, i Componibili di Anna Castelli Ferrieri o la Louis Ghost di Philippe Starck raccontano in modo quasi "giornalistico" il modernismo del dopoguerra, la rivoluzione giovanile degli anni sessanta e la riscoperta della filosofia borghese di inizio millennio e lo fanno attraverso la forma e l'evoluzione della tecnologia. È stato perciò del tutto naturale che Kartell e il design, quest'ultimo come forma espressiva, siano entrati in contatto direttamente o indirettamente con altri linguaggi, non ultimo quello dell'arte in tutte le sue declinazioni... Arte e design, Kartell e le espressioni artistiche del suo tempo: l'altra faccia di Kartell appunto." Pubblicato in occasione della mostra milanese, il volume offre un momento di confronto tra arte e design, creatività e produzione e presenta i contributi di Ferruccio Laviani (The Art Side of Kartell), Francesco Bonami (Trasparente rococò), Giovanni Gastel (Le magiche icone di Kartell) e Rita Selvaggio (Ouroboros).

London Gollancz 1980 cm.14,5x22, pp.576, legatura editoriale, sovraccoperta figurata a colori. English edition.

Milano, Skira 2018, cm.24x28, pp.256, 400 illustrazioni a colori. legatura editoriale cartonata, sopraccoperta figurata a colori. Collana Design e Arti Applicate. Testo Inglese. English text. The volume presents an extraordinary collection of jewels, jewellers and international maisons which, from the start of the twentieth century to the present day, have mirrored changing taste worldwide. It is a global journey which takes us from France to Russia, from the United States to Italy, from Britain to Germany and from the Netherlands to Scandinavia. The book closes with the new millennium, with the intermingling of art and design and the introduction of new goldsmithery techniques like 3D printing and wearable technologies.- Outstanding photographs illustrate and illuminate examples of elaborate techniques and very original materials.- This publication includes a bibliography of the major production houses, laboratories, master jewellers and designers and a glossary of technical terms.- An indispensable tool for the specialist, the collector, or anyone curious about art and jewellery.

Roma, Rome Museum Foundation, 17 March - 13 september 2009. Edited by Gian Carlo Calza. Milano, Skira 2009, cm.24x28, pp.304, 203 illustrazioni in bianco e nero, 244 illustrazioni a colori. brossura con sopraccoperta figurata a colori. Testo Inglese. English edition. Reference album of the last great figure in the Japanese Ukiyo-e style of woodblock prints and paintings. Ties-in with an exhibition at the Dulwich Pictures Gallery from July-September. Published to coincide with a major exhibit in Rome, a reference album featuring the works of the prolific nineteenth-century Japanese artist from the popular ukiyo-e school of printmaking offers insight into his poetic and gentle imagery while examining various aspects of his style.

Edited by David Alan Brown. Milano, Skira 2019, cm.24x28, pp.375, 200 illustrazioni a colori. legatura editoriale cartonata, sopraccoperta figurata a colori. Collana Arte Antica. Cataloghi. English edition. Giovanni Bellini (d. 1516) boasts a long career that left an indelible mark on Venetian painting. Vasari and other early writers failed to distinguish Bellini's late works from the rest of his output. Focused on Titian as the quintessential "old age" artist, subsequent writers have also paid little attention to Bellini's late work as a separate phase of his career. Bellini did not choose the subjects of his last pictures, which were stipulated by his patrons, but instead relied more and more on assistants; his decision to undertake and personally conceive and execute them points to a special commitment on his part to their creation. The Feast of the Gods (National Gallery of Art, Washington, DC), dated 1514, and other works that follow it, display a much expanded range of subject matter and a new degree of inventiveness. New technical investigations have played a key role in grasping the novelty of Bellini's last works. The artist's great mythological canvas in Washington, in particular, has been the subject of a recent scientific investigation using the latest multi-spectral scanning technology.This study, undertaken by the scientific lab at the National Gallery of Art, marks a major advance in the technical analysis of works of art.

London, Mitchell Beazley Publishers 1981, cm.9,5x19, pp.192, illustraz. bianco e nero e a colori nel testo, legatura editoriale, sopraccoperta figurata a colori. Testo in inglese.

Roma, Ediz. del Drago 1962, cm.17x24, pp.12, 79 illustraz. in tavole bianco e nero fuori testo, brossura, copertina figurata. Ediz. in francese, spagnolo, inglese e tedesco.

Modena, Ex Ospedale Sant'Agostino, 14 September - 9 December, 2012. English Edition. Edited by Filippo Maggia Milano, Skira 2012, cm.24x28, pp.156, 110 tavole a colori. legatura editoriale cartonata, sopraccoperta figurata a colori. Testo Inglese. From nudes to landscapes, a wide-ranging retrospective of the work of Edward Weston, one of the greatest 20th-century American photographers.Edward Weston (Highland Park, Illinois, 1886 - Wildcat Hill, California, 1958) began to take photographs at the age of sixteen and in 1911 he opened his first photographic studio in the town of Tropico in California. He became an increasingly important figure on the American art scene, so much so that in 1936 he was the first photographer to receive a research grant from the Guggenheim Foundation.In 1946 the MoMA in New York gave him a major retrospective, showing 300 works and thus definitively confirming him as one of the great artists of the 20th century.Often directly compared to painting and sculpture, Weston's photography is the expression of a relentless quest for pureness, both in composition and in the almost obsessive perfection of the image.This catalogue published to accompany an exhibition in Modena, the first show in Italy for over twenty years, celebrates Weston's extraordinary oeuvre with over 120 original photographic prints

Photos by Alfredo Palmieri. Firenze, Loggia De' Lanzi Ed. 2002, cm.13x24, pp.224, brossura copertina figurata a colori. Testo Inglese.

München, Prestel Verlag 2003, cm.16x12, pp.30, con illustrazioni. Brossura copertina figurata. Testo Inglese.

Fotografie di Jean Mohr, Christoph Hering, Cobi Benatoff. Lusanne, 1992, cm.21x30, pp.56, illustraz. e fotografie bianco e nero nel testo, legatura editoriale in tutta tela, tassello figurato applicato al piatto anteriore. Testo in inglese. Copia con dedica e firma autografa dell'Autrice.

Cambridge, Granta Editions 1991, cm.21x24, pp.285, illustraz. bianco e nero nel testo, legatura editoriale, sopraccoperta figurata, in custodia. Testo in inglese.

London Olympia, 18-21 April 1991. London, Interbuild Exhibitions Ltd. 1991, cm.30x21, pp.113, illustraz. bianco e nero nel testo, brossura, copertina figurata a colori. Ediz. inglese.

Thames and Hudson 1984, cm.22x27, pp.160,311 illustrazioni. brossura, copertina illustrata a colori. Edizioni in Inglese. During the Weimar Republic (1919–1933) a distinctive culture evolved from the roots of the Modern Movement. It was a unique effort to bring into common use technical and artistic discoveries of the great prewar pioneers from the Cubists to Le Corbusier, and it brought together some of the most original and significant artists, writers, musicians, architects, photographers, designers, and filmmakers.The pictures assembled here show how this artistic culture originated in the aftermath of the First World War and the unsettled early years of the Weimar Republic, uneasily balanced between revolutionary pretensions and the desire for order. The montage of images—photographs, paintings, drawings, collages, books, and film stills—evokes the period with shocking vividness.

Londra, Bosworth Ed. s.d. cm.23x30, pp.21+8, fascicoli spillati. Collana Easy Concertos and Concertinos for Violin and Piano. Lingua inglese.