Scoperte e massacri.

Firenze, Vallecchi Editore 1941, cm.14x19,7, pp.188,(4),

Firenze, Vallecchi Ed. s.d.(fine anni '70) cm.35x45, pp.67, brossura con copertina figurata a colori vol.contenuto in una cartella con piatto anteriore figurata a colori. Ristampa dell'ediz.della Voce,Firenze,1915.

A cura di Mario Richter. Roma, Ediz.di Storia e Letteratura 1977, cm.17x25, pp.XXXVIII,346, 22 ill.ft. brossura Collana Carteggi di G.P. Intonso.

Prima edizione. Firenze, Vallecchi Ed. 1933, cm.14x19,5, pp.316, brossura

Wheelock, Arthur K. Peter C. Sutton, Volker Manuth, Anne T. Woollett , NAional Gallery of Art Washington in Association with The University of Chicago Press. 2005, cm.22x27, pp.152, ill.a colori. legatura editoriale cartonata,in tuta tela, sopraccoperta figurata a colori. One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life--when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace--these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together