Histoire artistique des Ordres mendiants. Essai sur l'art religieux du XIII au XVII siecle.

Paris, Flammarion 1936, cm.13,5x18, pp.12, 2 tavv.in bn.ft., brossura, cop.fig. Una dedica ms. alla II di cop. Interni ingialliti per il tipo di carta.

Fribourg, Egloff 1943 (stampa 1944), cm.14,5x19, pp.97,(11), un ritratto di C. applic. all'antip., brossura (cop.lievemente ingiallita ma copia intonsa e in ottimo stato.)

Paris, Editions du Sagittaire 1946, cm.12x19, pp.244,(4), brossura (dorso brunito e fioriture alla cop., interni ingialliti per il tipo di carta ma copia ben conservata.) Première édition.

Con una nota di E.Ferdinando Palmieri. Venezia, Neri Pozza Editore 1966, cm.14,5x21,5, pp.83, brossura intonso, cop.fig. Eccellente esempl. Collana Quaderni Teatrali,1. (Altra copia edita nel 1965 per Gli Amici del Teatro di Vicenza a € 8).

Quaderni Culturali Bolognesi, A. III, n. 12, 1979. Bologna, Atesa Editrice 1979, cm.17x24, pp.56, 4 tavole b.n. fuori testo, brossura a bandelle. Collana Quaderni Culturali Bolognesi. Diretti da Giancarlo Roversi.

Volume publié avec le concours de la Mairie de Paris Journées du 43e congrès de l'Association internationale des études françaises, 22 juillet 1991, Paris. Paris, Les Belles lettres 1992, cm.14x22, pp.422, broché, couverture beige clair, titre en noir. Cahiers de L'Association internationale des etudes francaises. N.44.

Alessandria, Edizioni dell'Orso 1993, cm.15x21, pp.X,250, brossura. Collana Ianus. Confronti Letterari. The court and new infinite universe are the respective protagonists of Sir Philip Sidney's first and second Arcadia. If the Old Arcadia (1579) humorously desecratesthe figure of the sovereign and the hierarchical order irradiating from him, the New Arcadia (1584) isa grandiose attempt to reform the political and moral dilemma portraiyed in the first romance. The heliocentric cosmos of Copernicus and the infinite universe of Giordano Bruno were for Sidney compatible with his idea of a new social, political and moral order. Written in an age when astronomical and geographical discoveries were definitely tearing apart the centueris - old- Aristotelian cosmos, the two Arcadias testufy to Sidney's dissatisfaction with theold Ptolemaic universe and to his interest in the new forms of knowledge which where opening up the path to the scientific thought of the new philosophy, the transition from the closed world of the court of the Old Arcadia to the infinite universe in the New Arcadia signals the crisis of humanism and the rise of a new and modern notion of literature. The figure of Sidney emerging from this book is not the canonical figure as the humanistic Christian knight. From an attentive and close analysis of Sidney's work, this book rather extrapolates the portrait of an exuberant and rebellius aristocrat, enthusiastic supporter of the heterodox and anti-aristotelian ideas which were circulating in late sixteenth century Elizabethan London.