Mastroianni. I materiali 1932-1988.

Roma, Editalia 1997, cm.24x31,5, pp.227, 147 tavv.bn.e 24 tavv.a col.ft. legatura ed. sopracop.a col.

Bologna, Ediz.Bora 1984, cm.18x23, pp.nn. (circa 100), num.ill.bn.e a col.nt., brossura, cop.fig.a col. Collana Polivalente,16.

Roma, Il Cigno ediz. 1995, cm.24,5x31,5, pp.166, 118 tra ill.e tavv.a col.nt. brossura con cop.fig.a col.con bandelle.

Quinta edizione. Bologna, Ediz.Bora 1986, cm.23x26, pp.95, num.ill.e tavv.bn.e col.nt. brossura con cop.fig.a col.con bandelle. Collana Cataloghi di Mostre.

Novara, Istituto Geografico De Agostini 1973, cm.21,5x29,5, pp.536, 520 figg.bn.e a col.nt. legatura ed. sopracciop.fig.a col.

London, Paul Elek 1978, due volumi, completo, cm.28x21, pp.199, 67 illustrazioni in bianco e nero e 9 a colori; 230, 270 illustrazioni in bianco e nero, legature editoriali in tutta tela, sopraccoperte figurate a colori, Testo in inglese. This monumental two-volume set presents the most comprehensive study of Sandro Botticelli's life and oeuvre available in English. Volume I reconstructs Botticelli's biography and artistic trajectory within the political and religious upheavals of late fifteenth-century Florence, arguing for his central role in the visual culture of the Medici court and Savonarolan reform. Lightbown examines Botticelli's stylistic evolution, workshop practices, and intellectual milieu with scholarly precision and narrative clarity. Volume II offers a complete catalogue raisonne, documenting every known painting, drawing, and lost work with detailed provenance, technical notes, and critical commentary. The set commands enduring respect among art historians and collectors for its depth, authority, and elegant production. It remains essential for any serious library on Renaissance art.